A Quote by Anubhav Sinha
I have a beautiful sofa, which is my writing corner, on which I sit every day and look outside the window.
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I am closest of all to happiness—although I won’t attempt to define just what it is—when I turn away from the window and am aware, with the edge of my consciousness, that a moment ago I was not here, there was simply the world outside the window, and something beautiful and incomprehensible, something which there is absolutely no need to ‘comprehend,’ existed for a few seconds instead of the usual swarm of thoughts, of which one, like a locomotive, pulls all the others after it, absorbs them all and calls itself ‘I’.
Every single day the world seems like it is on the brink of falling apart. But then I look outside my window, and things look about the same as they did a week ago. It's almost a form of cognitive dissonance.
Ideology has shaped the very sofa on which I sit.
I always remember my childhood house with happy memories. There was a beautiful garden, and outside my bedroom window was a jasmine vine which would open in the evenings, giving off a divine scent.
When you look at a beautiful view from a window, the beautiful view also looks at you from the same window! But the window looks at both you and the view! Wise man is the window itself; he looks at everywhere!
Kindness is the color in the cathedral window which woven into beautiful characters shuts out the hideous sights of a world which is all too practical.
So every day So every day I was surrounded by the beautiful crying forth of the ideas of God, one of which was you.
Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.
For a year after that was done to me I wept every day at the same hour and for the same space of time. That is not such a tragic thing as possibly it sounds to you. To those who are in prison tears are a part of every day's experience. A day in prison on which one does not weep is a day on which one's heart is hard, not a day on which one's heart is happy.
When I'm writing, I like to seal everything off and face the wall, not to look outside the window. The only way out is through the sentences.
Every weekend from, like, 1974 to 1978, I'd trudge over to the Greenwich library, which gathered up almost every major newspaper in the country. I would sit there all day long and read and read and read the reviews. I remember being twelve or thirteen and writing to Judith Crist, Pauline Kael, and Roger Ebert.
Every day look in the mirror and flex your muscles. Smile and enjoy the sight of a beautiful fit body. If you don't like what you see, find a photo of how you want your body to look and paste it to the corner of your mirror. Be willing to work hard for what you have the potential to become.
Outside sleep's open window, between the drops of rain, history is writing a recipe book for every earthly pain.
When I sit at my table to write, I never know what it's going to be until I'm under way. I trust in inspiration, which sometimes comes and sometimes doesn't. But I don't sit back waiting for it. I work every day.
Write all the time. I believe in writing every day, at least a thousand words a day. We have a strange idea about writing: that it can be done, and done well, without a great deal of effort. Dancers practice every day, musicians practice every day, even when they are at the peak of their careers – especially then. Somehow, we don’t take writing as seriously. But writing – writing wonderfully – takes just as much dedication.
One [reality] is that I am responsible for my attitude. I can be in prison, and I happen to get a chance to go outside. I can look at the mud, or I can look at the stars. I am the one who decides which way to look. That is true for every one of us.
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