A Quote by Anubhav Sinha

After becoming an engineer, I worked for a year in Faridabad. I was so bored. I used to live in a one-room apartment, and every night I would come back to a frog in my bathroom.
My grandmother and I would go see movies, and we'd come back to the apartment - we had a one-room apartment in Hollywood - and I would kind of lock myself in this little dressing room area with a cracked mirror on the door and act out what I had just seen.
Have you worked here long?" Sebastian asks. Just a few months," I say. "Do you come here a lot?" As if you don't know, Jade. I used to come every day, or, you know, when I could, I'd bring Bo after work. Or just myself." At night sometimes. You'd climb the fence. You'd watch the stars. You'd tilt back your head and look at the sky. You'd think it over, whatever it was.
I loved playing in England. But after a few years, I didn't find it challenging enough. I wouldn't say I was bored, but it was becoming too repetitive - playing with and against the same players year after year.
A lot of people have used the frog splash over the years. Every one else that used it is a four star frog splash, when RVD did it, it became a five star frog splash.
I had to share a room with my sister, who is five and a half years older than I am. We didn't get along well, and I felt that I had no privacy. So books were my privacy, because no one could join me in a book, no one could comment on the action or make fun of it. I used to spend hours reading in the bathroom -- and we only had one bathroom in our small apartment!
I would like to be remembered as the guy who worked hard every night and set an example for the other guys in the locker room and girls in the locker room.
I had a stalker while filming a movie in Spain last year. She stood outside my apartment every day for weeks – all day, every day. I was so bored and lonely that I went out and had dinner with [her]. I just complained about everything in my life and she never came back.
One of the unique things about 'American Horror Story' is, it's very respectful to actors. Actors in many cases don't want to be tied down to a seven-year contract. So my deal with the cast is: you're free after every year: you can come back, or you cannot come back.
Once, I lived in an apartment with a skylight in the bathroom. Every winter, it would snow through the skyline, but we got a discount because of it.
Selling your apartment in New York is like dating a manic-depressive.. you get used to cycles of elation and despondency. Every time someone would come to see the apartment, there was the thrill of the date. You want to be presentable, so you clean the place up, make sure it smells good, put on some mood lighting and mellow music.
A lot of directors, they don't go into the editing room during the shoot. When they come back, they've forgotten what they've shot. That's why their films come out a year after they shoot them.
I live on the Upper West Side of Manhattan. I live in a 950-square-foot apartment with one bathroom and two sons.
Red is the great clarifier - bright and revealing. I can't imagine becoming bored with red - it would be like becoming bored with the person you love.
It's remarkable how we go on year after year, doing the same old things. We get tired and bored, and ask when they'll come for us
When I used to live in Chicago - went to school there for four years and lived there for two years after - the whole time, I worked at this restaurant called DMK, and people would come in, and I would wait on their tables, and they would say, 'Oh my gosh, man. You look like the dude from 'Parks and Rec.' You look like Jean-Ralphio.'
Frog has no nerves. Frog is as old as a cockroach. Frog is my father's genitals. Frog is a malformed doorknob. Frog is a soft bag of green.
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