A Quote by Anubhav Sinha
No movie can change society, but there are things that can be achieved by a film. For example, we are sitting in a room that has a lizard in it but we don't mention it because it is not bothering us. But if I stand up and say there is a lizard in the room, then we will try to deal with it - in whatever way.
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Why does the lizard stick his tongue out? The lizard sticks its tongue out because that's the way its listening and looking and tasting its environment. It's its means of appreciating what's in front of it.
I think like the species I am studying, whatever it is. If I am watching a lizard, I become the lizard. Gazing ath the water at a pike, I become the pike.
The lizard stared up at us, and we stared back, taking each other in. He was little and defenseless, I felt sorry for him already. This was a screwed-up place he'd just come into. But he didn't have to know that. Not yet, anyway. There in that room, where it was hot and cramped, the world probably still seemed small enough to manage.
If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
They were black like a lizard's and very large and, like the eyes of a lizard, could sometimes look sleepy.
The lizard isn't listening and the lizard doesn't care.
I was shown into a room. A red room. Red wallpaper, red curtains, red carpet. They said it was a sitting-room, but I don’t know why they’d decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture. It could rain in a room this big.
People believe that there's no room for change, there's no room to grow and if we're talking about this idea of God which is the infinite then there's no way that there's no room to grow because infinity is endless. So there must be more room to understand more and to evolve the way we think about this idea.
We talked about how easy it was to make the mistake of anthropomorphizing animals, and projecting our own feelings and perceptions on to them, where they were inappropriate and didn't fit. We simply had no idea what it was like being an extremely large lizard, and neither for that matter did the lizard, because it was not self-conscious about being an extremely large lizard, it just got on with the business of being one. To react with revulsion to its behavior was to make the mistake of applying criteria that are only appropriate to the business of being human.
I have a lot of plants and fish and a pet lizard and Venus flytraps. I have a whole ecosystem in my room, like a running waterfall and different lights and sensors set on digital timers.
I remembered watching the film from Alfred Hitchcock, 'Dial M for Murder,' and he shot almost all of that movie in one room. There was a genius in what Hitchcock did by manipulating things in that room so that you could see the distances between things like the tables and the vases because of how he used perspective.
Ben: "Gorog's no assassin! She's my best friend." Mara: "She's an insect, Ben." Ben: "So? Your best friend's a lizard." Mara: "Don't be ridiculous. Aunt Leia is my best friend." Ben: "Doesn't count. She's family. Saba is a lizard." Mara: "Okay, maybe my best friend's a lizard.
Imagine that we are sitting in an ordinary room. Suddenly we are told that there is a corpse behind the door. In an instant the room we are sitting in is completely altered; everything in it has taken on another look; the light, the atmosphere have changed, though they are physically the same. This is because we have changed and the objects are as we conceive them. That is the effect I want to get in my film.
So you can say whatever you want and quote me however you want about politics and make the next payday, and that's fine because I'm making that deal with you, but just mention the movie along the way, OK?
About 200 girls went into a room and there were two casting agents and they asked you to say your name and where you came from and then they picked two or three out of that. And they sent you into a room and I was really nervous and kept dropping things and I was going the wrong way and everything. Then she gave us a script and you had to learn it.
My life's pretty simple. Look at hours and hours of film to try to find some things that will work on Saturday. Try to have a good practice every day. Use the offseason to recruit and build the culture of the locker room. That's my deal.
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