A Quote by Anubhav Sinha
When you make the biggest film in the history of Bollywood, 'Ra.One,' and get so much flak, it drains you... haunts you for years.
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A good coach will come in ra, ra, ra and rejig the whole set-up. That might work for a year or 18 months but isn't sustainable. A great coach has the ability to get the best out of his players without the ra, ra, ra stuff.
It probably says something really clinically terrible about my character that I need to get up on a stage and go 'Ra ra ra' in front of people.
I love 'Swamy Ra Ra' movie and I wanted to act in Sudheer Varma's direction after watching that film.
It wasn't because of Striker's bad performance that I didn't sign any film in Bollywood. There wasn't much to do in Bollywood, and the offers weren't great too.
There's more to Gujarati cinema than characters wearing kediya and ghagra choli and saying 'Aa ra ra ra.'
TMOK' is a family film, and everyone would like to watch the film. I'll be very happy even if I get 50 to 65 per cent of the box-office opening that 'Ra.One' gets.
I would be stupid to say no to Bollywood. It is the biggest film industry in our country.
It is a lot more difficult to make a typical Bollywood film than a realistic film.
My background is from India, and I always get asked, 'When are you going to do an Indian film, a musical or Bollywood film?'
I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
In Bollywood, you have to do one film at a time, and there are no mixed schedules. And doing four films at a time is out of the question. Telugu film industry works very differently. But the kind of films I'm getting here are better than what I've been offered in Bollywood.
It's more interesting because you get to research the history of the period, and all the different aesthetic elements that make a film, particularly this film, so stunning.
We decided we'd have to do something pretty drastic to make people realise that I wasn't going to parade about in ra-ra skirts for the rest of the century. And I'm not going to parade about in black evening gowns on tour!
As a child, I was prancing around in my mother's high heels and a ra-ra skirt, singing 'Material Girl' into my hairbrush.
The tragedy of film history is that it is fabricated, falsified, by the very people who make film history.
I got my big break in Bollywood with Anurag Kashyap's 'Raman Raghav 2.0' when I got a call from one of the casting directors to appear for an audition. At that point, I didn't think that I would make the cut since I was auditioning for a Bollywood film for the very first time. Within an hour of the audition, I was told that I had been selected.
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