A Quote by Anubhav Sinha

I have always gone with the story which I liked at that point of time and when I retire my filmography will be interesting. — © Anubhav Sinha
I have always gone with the story which I liked at that point of time and when I retire my filmography will be interesting.
The point is always reached after which the gods no longer share their lives with mortal men and women, they die or wither away or retire... Now that they've gone, the high drama's over. What remains is ordinary human life.
We are all refugees from our childhoods. And so we turn, among other things, to stories. To write a story, to read a story, is to be a refugee from the state of refugees. Writers and readers seek a solution to the problem that time passes, that those who have gone are gone and those who will go, which is to say every one of us, will go. For there was a moment when anything was possible. And there will be a moment when nothing is possible. But in between we can create.
Journalists don't retire, writers don't retire. I'm still hoping for that other big story. There's always one just around the corner.
The script will point you in certain directions and I go the opposite if I can. I try do do one thing and tell a different story with my eyes. I believe what's more interesting is always what's not being said.
It is about a period in aviation which is now gone, but which was probably more interesting than any the future will bring. As time passes, the perfection of machinery tends to insulate man from contact with the elements in which he lives. The 'stratosphere' planes of the future will cross the ocean without any sense of the water below. Like a train tunneling through a mountain, they will be aloof from both the problems and the beauty of the earth's surface.
This is the secret I kept from you, Bails, from myself too: I think I liked that Mom was gone, that she could be anybody, anywhere, doing anything. I liked that she was our invention, a woman living on the last page of the story with only what we imagined spread out before her. I liked that she was ours, alone.
I read the paper every day. There are certain subjects that will catch my attention. I have an entire file of articles. Of course I make up the story, especially since most criminals are not very smart and fictional crime must be clever. I have to make sure the story I am telling is interesting and realistic. In this book I went on line and found out the manners of codes. I thought it interesting to use them as a jumping off point.
It is complicated, but I've always said that I would have liked to retire at Barca.
I think if the content is good and the content is interesting, the at home viewer will watch it for as long as the story is interesting thus the responsibility for making the story interesting falls on the shoulders of the reporter or the producer. Then I'm disappointed that producers have felt that television can only be told in 59 second story bursts because we've become, it's become journalism based on MTV, video electronic editing and cutting.
The word 'retirement' doesn't really sit well with me. There comes a time when you reach a position in society or culture where people will not let you retire. You can say, 'Alright, I'm going to hang up my guitar,' but people will still not let you retire.
Retire? Retire from What? Life? I will only retire when I am dead!
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
I've always said boxing will not retire me, I will retire from boxing, and I stand by that statement.
We'll all retire from life at some point. The great thing about acting is you don't necessarily have to retire.
I think I have had my story with France. Unfortunately, it's not the story I would have liked. I would have liked to have played a World Cup; I would have liked to have done a lot more for the French national team.
So tell me, since it makes no factual difference to you and you can't prove the question either way, which story do you prefer? Which is the better story, the story with animals or the story without animals?' Mr. Okamoto: 'That's an interesting question?' Mr. Chiba: 'The story with animals.' Mr. Okamoto: 'Yes. The story with animals is the better story.' Pi Patel: 'Thank you. And so it goes with God.
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