A Quote by Anuj
If a quote of two individuals looks identical or almost similar to make it difficult to know as who said it first to be Mr. Right, then it is perhaps sensible to give credit for the same to one who travels in life light by choice and not compulsions than other who is too eager to board on a success flight.
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New York has done an excellent job. And I give credit - I give credit across the board going back two mayors, two police chiefs, because it has worked. And other communities need to come together to do what will work, as well.
The argument that the two parties should represent opposed ideals and policies, one, perhaps, of the Right and the other of the Left, is a foolish idea acceptable only to doctrinaire and academic thinkers. Instead, the two parties should be almost identical, so that the American people can throw the rascals out at any election without leading to any profound or extensive shifts in policy. Then it should be possible to replace it, every four years if necessary, by the other party, which will be none of these things but will still pursue, with new vigor, approximately the same basic policies.
It has been said that one bad general is better than two good ones, and the saying is true if taken to mean no more than that an army is better directed by a single mind, though inferior, than by two superior ones at variance and cross-purposes with each other. And the same is true in all joint operations wherein those engaged can have none but a common end in view and can differ only as to the choice of means. In a storm at sea no one on board can wish the ship to sink, and yet not unfrequently all go down together because too many will direct and no single mind can be allowed to control.
I think the idea that in a riddle there are two answers or two doors and that you have to pick the right one is almost sort of delightful to kids who are making so many choices every day and who often don't know for a while if they've made the right one. It's not as if you make a choice and then *ding* you have some sense of "oh, this is perfect and I'm happy" - it's never that simple.
Light thinks it travels faster than anything but it is wrong. No matter how fast light travels, it finds the darkness has always got there first, and is waiting for it.
Botvinnik's right! When he says such things, then he's right. Usually, I prefer not to study chess but to play it. For me chess is more an art than a science. It's been said that Alekhine and I played similar chess, except that he studied more. Yes, perhaps, but I have to say that he played, too.
They said 'the SEC this, the SEC that.' I said, 'You talk like all 14 teams are this, that and the other thing.' I said, 'You have to give credit to the first one or two that have won the national championship, but don't act like they're all doing that.'
Perhaps we are the same person. Perhaps we have no limits; perhaps we flow into each other, stream through each other, boundlessly and magnificently. You bear terrible thoughts; it is almost painful to be near you. At the same time it is enticing. Do you know why?
How beautiful, buoyant, and glad is morning! The first sunshine on the leaves: the first wind, laden with the first breath of the flowers—that deep sigh with which they seem to waken from sleep; the first dew, untouched even by the light foot of the early hare; the first chirping of the rousing birds, as if eager to begin song and flight; all is redolent of the strength given by rest, and the joy of conscious life.
None the less, perhaps, the highest pleasure in art is identical with the highest pleasure inscientific theory. The emotion which accompanies the clear recognition of unity in a complex seems to be so similar in art and in science that it is difficult not to suppose that they are psychologically the same. It is, as it were, the final stage of both processes.
I said, suppose you take a light - I was thinking of just light bulbs because, in those days, lasers were not yet really there - and sent a light pulse between two masses. Then you do the same when there's a gravitational wave. Lo and behold, you see that the time it takes light to go from one mass to the other changes because of the wave.
When two texts, or two assertions, perhaps two ideas, are in contradiction, be ready to reconcile them rather than cancel one by the other; regard them as two different facets, or two successive stages, of the same reality, a reality convincingly human just because it is too complex.
Collaborations work when both or however many parties are the right people to be working together for whatever reason - whether it's two musicians or a musician and a filmmaker or a musician and a choreographer, if the combination is right, the possibility exists to make something greater than the individuals could make. But if the combination is wrong than you generally end up with a compromised piece is probably less than the individuals could make.
There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; second, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelery; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.
EFFECT, n. The second of two phenomena which always occur together in the same order. The first, called a Cause, is said to generate the other-which is no more sensible than it would be for one who has never seen a dog except in pursuit of a rabbit to declare the rabbit the cause of the dog.
She didn't know then that life has a way of backing you into a corner. You make your choices when you're far too young to understand their implications, and with each choice you make the field of possibility narrows. You choose a career and other careers are lost to you. You choose a mate and commit to loving no other.
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