A Quote by Anurag Kashyap
When violence is real and you flinch away from it, violence does not push people to try and imitate that. Often, we shun the violence that makes us flinch, because it disturbs us. And what makes us uncomfortable and disturbs us is not often bad. What disturbs us will not make us imitate that.
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Giger’s work disturbs us, spooks us, because of its enormous evolutionary time span. It shows us, all too clearly, where we come from and where we are going.
The story of the gospel is so much better than the legal model suggests. It tells us that we are created as God's partners, not God's enemies. Sin does a lot of damage to that partnership - it disables us, it discourages us, it disturbs us - but it never destroys the bond that exists between God and humanity.
We're fascinated by things that scare us, and one of the things that scares us is violence. Violence exists. It's a real part of our lives. We are obsessed with what we're scared of, but it certainly doesn't define us.
Our position was: If you don't attack us, there won't be any violence; if you bring violence to us, we will defend ourselves.
Of course fear does not automatically lead to courage. Injury does not necessarily lead to insight. Hardship will not automatically make us better. Pain can break us or make us wiser. Suffering can destroy us or make us stronger. Fear can cripple us, or it can make us more courageous. It is resilience that makes the difference.
It's strange how things happen, Mauricio Silva, known as the Eye, always tried to escape from violence even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around twenty years old when Salvador Allende died.
The thing that disturbs me the most, being in England, is that on the screen we don't see very many of us - there aren't very many black girls. They don't make the roles for us, or they don't see us in those roles.
Part of what my work has always been about is to show that the apocalyptic character of the gospel makes the everyday possible. It gives us the time that lets us care for one another as we are ill, helps us care for one another as we experience broken relationships, and helps us take the time to worship God in a world of such violence.
Until we begin to discover the national values that for centuries have allowed us to rise above our natures and act as civilized men and women, our country will continue to suffer the steady deterioration in standards that disturbs us all.
Joy makes us want to invest more deeply in the people around us. It makes us want to learn more about our communities. It makes us want to be able to find ways of being able to make this a better external world for all of us.
The primary function of poetry, as of all the arts, is to make us more aware of ourselves and the world around us. I do not know if such increased awareness makes us more moral or more efficient. I hope not. I think it makes us more human, and I am quite certain it makes us more difficult to deceive.
We had violence directed at us by the growers themselves, trying to run us down by cars, pointing rifles at us, spraying the people when they were on the picket line with sulfur.
It's not what we eat but what we digest that makes us strong; not what we gain but what we save that makes us rich; not what we read but what we remember that makes us learned; and not what we profess but what we practice that gives us integrity.
We all must support the arts, as it is our culture. It makes us better people. It makes us happy; it gives us empathy and shows us how to live. It is so important.
That the stars guide us, but do not compel us. It is our free will that determines the outcome of all things. God does impose his will on us, rather he makes it known and allows us to choose if we will follow it.
Violence begets violence, and hate begets hate. Both hate and violence beget a society that harms, and makes impossible the healing necessary for us to reach our full potential.
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