A Quote by Anurag Kashyap

When I'm making a film, I don't want my producer to be on the sets. So when I'm producing a film, I don't want to be on the sets! — © Anurag Kashyap
When I'm making a film, I don't want my producer to be on the sets. So when I'm producing a film, I don't want to be on the sets!
I would accompany my dad to his film's sets. I especially remember going with him on the sets of 'Vijaypath.'
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
Film sets are great fun. Film people are great people to hang around with. I don't want to run off and be distracted by other things.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
I applied [to film school] figuring, "I need to find some structure for myself. I need to find a way to figure out what kind of filmmaker I want to be." And that is what film school provides you with. It'll teach you the basics of how a production works and the technical side of how to put everything together, but you could also learn that by working on film sets.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
I want to direct more often. The job of a producer brings its own benefit as you start to see the simplicity of film making. But yes there is a constant battle between the director and producer in me.
When we make a comedy film, its important to have a light atmosphere on the sets so that the mood reflects in the film.
I was spending a lot of time in trailers, you know, on film sets surrounded by film people.
I love being on film sets even if I'm not acting in the film, and I'm fascinated by the work of the director of photography.
My brother knows more about film sets than I do, because he works at New York Film Academy.
The great thing about having spent all this time on film sets is that I've been able to watch directors and how they work. I now know that this is what I want to do as well: to tell stories visually. But it's definitely my vision that I want to put across, nobody else's.
I think I spent my entire childhood on film sets, surrounded by film-makers and actors and people with magnetic energies who make movies.
In film, movies' schedules are based on three things: actors' availabilities, when are sets being built, when you can rent the place you're going to film in.
In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
No one sets out to write escapism as a film's subject matter unless, maybe, you are making a fantasy flick.
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