A Quote by Anurag Kashyap
I think the perspective that small-town directors bring to films is very different.
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Nagpur was a very small town. There was no exposure to different kinds of films or world cinema. Only Manmohan Desai films.
Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.
Different directors have different techniques in the use of films. Cronenberg is very different in the way he works with film, and how he takes the audience into his films is different than how Peter Jackson would do that or Jon Stewart. So, if you go between those artists, you shift gears and you kind of fall into the working method of that film.
I think that setting a novel in a small town taps into a sense of nostalgia among readers. People tend to believe life is different in small towns, and frankly, it is different.
I was born in a very small town in North Dakota, a town of only about 350 people. I lived there until I was 13. It was a marvelous advantage to grow up in a small town where you knew everybody.
There's certainly enough writers and directors and actors who secretly aspire to make movies and films that agree with the center-right perspective, and I would argue the majority perspective in America.
There's no job too big to benefit from a small town person's perspective, I discovered, just as there's no town too small for thinking big.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
All of my favorite directors are coming from a singular perspective, and I think that's been very lacking in film.
The first time that you escape from home or the small town that you live in - there's a reason a small town is called a small town: It's because not many people want to live there.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
I think that often times Hollywood panders to the cliches of small town life, specifically Southern small town life, and I think that this movie does the opposite
I think that often times Hollywood panders to the cliches of small town life, specifically Southern small town life, and I think that this movie does the opposite.
When you're growing up in a small town
You know you'll grow down in a small town
There is only one good use for a small town
You hate it and you know you'll have to leave.
Every week in a small town is very different. Something is going on.
I don't want to rescind American directors but I think that European directors in general, because of the size of the nations in Europe are exposed to all different cultures, they can easily travel from one distinct culture to another in a matter of hours - you can drive for two weeks across the United States and you're in the same basic culture - so there is a certain breadth of understanding and sophistication that they bring to it and frankly, in some cases they are less expensive than American directors.
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