A Quote by Ari Aster
Most horror films are made very cynically, and they're usually made by studios for an audience that they know is there, no matter what they put out. And there are always exceptions - every year, it seems we have a great one coming out.
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These are films that I really love, but I would say I'm not somebody who runs out to every horror film. I avoid most of them. I feel like a lot of them are made very cynically.
I made so many films I thought were great and they turned out horrible, and I made films I did not believe in at all, and 'Shadow Of The Vampire' was one of these films I did not believe in during the shooting. And then when I saw it I was surprised what they had made out of it. They edited for quite a long time.
You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.
I love Sam Raimi. 'Evil Dead 2' is one of my favorite films. It's one of the best cheaper horror films I've ever seen. Horror films and suspense films can be made on a low budget without big stars and be very effective.
If you have a year where a few good horror films come out, all of the sudden, horror is back and everyone's talking about how it's a vintage year for horror.
My brother and I are huge fans of foreign horror. Some of the most interesting movies are coming from overseas. I guess if there was one change we'd like to see, it would be more original horror films made by the studio system and less of a reliance on remakes.
A prose writer never sees a reader walk out of a book; for a playwright, it's another matter. An audience is an invaluable education. In my experience, theatre artists don't know what they've made until they've made it.
Mathematics is not only real, but it is the only reality. That is that entire universe is made of matter, obviously. And matter is made of particles. It's made of electrons and neutrons and protons. So the entire universe is made out of particles. Now what are the particles made out of They're not made out of anything. The only thing you can say about the reality of an electron is to cite its mathematical properties. So there's a sense in which matter has completely dissolved and what is left is just a mathematical structure.
My coming out, like most people's, was and is a gradual process - for no matter how out one is, there are always situations when one's with people who don't know, and one has the choice or, sometimes, the necessity of coming out to them.
I think the audience know which films are aimed at their pocket, and which films are aimed at their soul. There are a lot of films out there made by people who are genuinely trying to make a change.
I didn't want to be known as a man who only made horror films. I made some - very few.
Actually I made only one out-and-out horror picture, 'The Beast with Five Fingers,' though I have done a lot of suspense and mystery films, of course.
The people that keep coming back every year are diehards. I'll go out there to host a panel and I know half of the audience. I see them, every year, and they come back for more because they believe in us. That's one of the coolest things.
It seems like if you are not painted up special way or have some tailor made outfit to put on to go out on stage... I don't know... there's too much of it out there.
I don't see a lot, but I think what the movie studios know and what they always know but they kind of ignore, which is that a there's an audience for movies like 'Get Out,' and 'Hidden Figures,' and to some extent 'Moonlight,' which made a lot less money than 'Hidden Figures' did.
The first film that really knocked me out was Alien by Ridley Scott. This is a great movie because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director.
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