A Quote by Ari Aster
I like to play with transgression and upending conventions, and I like the idea of rooting genre films in character.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
I like to play with the conventions around what we expect of paintings historically. But I also like to play with the conventions that you expect from a Kehinde Wiley painting, too.
I had a lot of issues with the genre, and I probably even had issues with the whole idea of genre. I was coming into it with a certain degree of outsider attitude, and I didn't have a long-term plan. But I think the way it's worked out, it's sort of warped into what I suppose you could say is my own genre. If people like my books, they have some idea of what the next one will be like.
There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that..." I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
It's never so that a film is an ensemble or solo. You do it if you like it and if you don't like it, you don't do it. The idea is to play the character in which you are not replaceable.
I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.
The genre of romance is perhaps the closest to my heart and I like the whole idea of feel good, look good roles and films that have a positive vibe.
I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of.
I wasn't a kid who moved out from Iowa with aspirations of becoming a famous star - I was intrigued by the idea of filmmaking and by the idea of what it would be like to play a character in a movie.
Twenty years ago rooting for the Yankees was like rooting for IBM.
Rooting for the Red Sox is like rooting for the drug companies.
I don't think I make genre movies. There is a certain type of violence in my films but I think I have my own genre because I made it happen like that.
I'd like to play a guy who doesn't think so much. I'd like a character whose words come out before he thinks about it. I want a character who is just kind of dumb in that way. A guy who doesn't have too many dangerous, devious ideas. It would be fun to play a role like that.
I tend to fall more into the fun horror genre than the traumatic horror genre. I love the films where you're laughing as much as screaming, but that doesn't mean I don't like the other ones.
Rooting for the Yankees is like rooting for U.S. Steel.
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