A Quote by Ari Graynor

No one's up in arms about these PG-13 movies where it's literally about the end of the world. — © Ari Graynor
No one's up in arms about these PG-13 movies where it's literally about the end of the world.
The only problem is I can't get into PG-13 Land. I just get stuck in R rated movies, which they would love us to make PG-13 movies but I never get there. But I think that you've got to make them different. You've got to switch them up.
'Warm Bodies' - I was contractually obligated to deliver a PG-13 movie. But, like, I wanted it to be PG-13 because it's for younger people, and I don't want them not to be able to see it. I mean, you have to kind of think about the marketplace as well.
'Pompeii' will be PG-13. I think it has to have a level of violence and death in it because you've got a volcano exploding. But it will be another PG-13 movie.
I don't like PG-13 horror movies. I think they're a contradiction in terms.
All the PG-13 superhero movies are depriving me of the gore that I need.
All the copycat movies were always PG-13 and people said: "Nobody wants violence."
What infuriates me is that in America violence is judged in context, whereas language is not. So with language there is an arithmetic that says: one f*** is a PG 13, two f***s is an R. They don't say: one bullet through one head is a PG 13, two bullets through more than two heads is an R.
When we were growing up, some of those Amblin films, those Spielberg movies, led to the creation of the PG-13 rating because he was pushing it so dark and he upset a lot of parents. I liked that, though.
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
In movies you can shoot a guy 3,000 times and get a 'PG-13', but if you say the 'F' word twice it's automatically an 'R'. I'll let that be its own comment.
One of the tricky things about sort of larger, comic-book action movies is that the scale is so big that they have to save the world at the end of every movie, and so at the end of each of the films, either Chicago or New York end up getting obliterated.
I think that the reason that people are so up in arms about movies that have historical inaccuracies is because now that we've trashed our education institutions beyond repair, people fear that the only people are getting their histories is through the movies, so the elephant in the room is that no one wants to talk about why we're so passionately obsessed with accuracy.
My movies just kind of sneak up on you. I don't have to worry too much about what everybody is going to say. Anyway, I really don't pay attention to what the world says about my movies. I just care about what my buddies think.
The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.
As anyone who has recently seen PG-13 movies knows, the level of violence in them has increased to the point of making the Motion Picture Association of America's voluntary rating system meaningless.
We take the R-rating on a case by case basis when the story warrants it and necessitate that rating, and shouldn't be hemmed by the rules of PG or PG-13.
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