A Quote by Arlo Guthrie
Everyone has a responsibility to not only tolerate another person's point of view, but also to accept it eagerly as a challenge to your own understanding. And express those challenges in terms of serving other people.
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While people judge others from their own moral standpoint, the wise person looks also at the point of view of another.
I think that the best movies are made, not from a point of view that depends on your personal history, whether it's the color of your skin or the politics that you had or the place that you come from, but from a point of view of an understanding of human nature, an understanding of history, and an understanding of what motivates people.
I've noticed two things about men who get big salaries. They are almost invariably men who, in conversation or in conference, are adaptable. They quickly get the other fellow's view. They are more eager to do this than to express their own ideas. Also, they state their own point of view convincingly.
I've always wondered if people who block each other from expressing their opinions do so because they have so little confidence in their own. To me, encountering an opposing point of view is a chance to gain a deeper understanding of the issues at stake and develop my own point of view. But the first thing you've got to do is you've got to let people speak and you've got to listen. And that's what the first amendment is all about. That's what really distinguishes this country from others.
Marriage is a reflection of your life in general: how you treat people, how you argue, how secure you are in your own thoughts. How vehemently do you argue your point of view? With what disdain do you view the other's point of view?
I'm very curious about people, and one of the most difficult truths for me to accept as a person is that I'll never be anyone else, and I will never fully understand anyone's perspective other than my own. Because I've come to some understanding of that, I feel it's this very difficult but worthwhile challenge to get as close as I possible can to that. If the only way that we can do that is through language, then that's how it has to be done.
Whatever you describe to another person is also a revelation of who you are and who you think you are. You can not describe anything without betraying your point of view, your aspirations, your fears, your hopes. Everything.
There is only one point of view, that is your point of view. You are making a mistake if you see the point of view of people. There is only one and that is your livelihood.
It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
If there is any one secret of success, it lies in the ability to get the other person's point of view and see things from that person's angle as well as from your own.
I consider all drama to be the opportunity to see the world from another person's point of view. That seems to be the point of drama, really. And thereby to encourage understanding and even love.
Everyone has their own right to their own point of view and everyone has their own perception of everything and everyone doesn't have to love me, obviously, but I just think that it's too much when people say that they want you to die and it can be so dark and mean.
You have to take seriously the notion that understanding the universe is your responsibility, because the only understanding of the universe that will be useful to you is your own understanding.
I have a strong point of view, and that's a double-edged sword. It can be a phenomenal characteristic in terms of getting things done, but it can also mean I will be relentless in my pushing for my point of view.
If you're not on set, if you're not on stage, go to class. Find teachers you trust and who push you and who you respect as people. That's what you're getting with a teacher: a point of view. You end up taking those points of view and that turns into your point of view as an actor.
I think it's the responsibility of a major opera house not only to cultivate debate and get people thinking, but also to be interfaced with things that challenge them. To challenge its audience and not just deliver things that they know, even though some of those things are wonderful.
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