A Quote by Arnaud Desplechin

I love some films with very silent characters, people who don't speak, but I wouldn't be able to do that. — © Arnaud Desplechin
I love some films with very silent characters, people who don't speak, but I wouldn't be able to do that.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
I like some of the early silent films because I love to watch how actors had to play then. What would interest me today is to do a silent film.
Therefore once for all this short command is given to you. 'Love and do what you will.' If you keep silent, keep silent by love; if you speak, speak by love; if you correct, correct by love; if you pardon, pardon by love: let love be rooted in you, and from the root nothing but good can grow.
I love silent cinema but don't hold it sacred. Like any branch of film there are some very boring films alongside the masterpieces.
I love the silent era because you can see the rules being written, the grammar of film being created. Most of my films are in some way love letters to the silent era.
In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
I wasn't that familiar with silent films. I didn't know, for example, how hugely popular silent films were in the 1920s, how people would go to the movies several times a week.
I would love to do a talk show. Naturally, I would love to do more films. I'd love to be able to see casting directors more willing to put in a character who happens to be deaf. I'm not talking about doing deaf storylines, but putting in deaf characters. I'd love to be able to do Broadway.
I don't have a preference for bad people, no. I have an interest in playing a broad range of characters. Obviously, I'm mostly identified with a character who is very responsible, very solid and very intelligent, but there are plenty of questionable characters in my past career. I'm interested in exploring theatricality and characters with some dimension.
In making Achilles and Patroclus lovers, I wasn't trying to speak for all gay men, just as when I write straight characters, I don't claim to speak for all straight people. My job as an author is to give voice to these very particular characters - these two men, in this time, and in this place
If you are not able to be silent, you will not be able to speak well.
When I moved to Bombay, it was very harsh. I was nothing like what I am today. I couldn't speak a word of English. In England, people might be very understanding about that, but in Bombay, they're not very forgiving. 'If you don't speak English, how do you expect to work in Hindi films?'
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.
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