A Quote by Arne Glimcher
When Nixon opened the door to China in the early 1970s, Chinese artists got their first view of the West. Suddenly five centuries of Western art lay before them as a stylistic smorgasbord. Chinese artists could reinterpret it out of admiration or try to replace it. They choose the former.
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Richard Nixon even before becoming president, before meeting Henry Kissinger, he said, "This is ridiculous. Communism is nationalist. The Chinese and Russian and Yugoslav and Cuban and - none of these communists get along, and the Koreans and the Vietnamese, and we can do business with them." And then he opened up to China, and that's when the Cold War started.
We had Chinese artists that would put in elements for the Chinese audience like the calligraphy actually means something so the audience when they read it they'll understand. So there were definitely little things we were able to do that specifically leveraged the artists' talents.
China need to be fought back on. And what we need to do is go at the things that they are most sensitive and most embarrassing to them; that they're hiding; get that information and put it out in public. Let the Chinese people start to digest how corrupt the Chinese government is; how they steal from the Chinese people; and how they're enriching oligarchs all throughout China.
There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine.
I've read hundreds of books about China over the decades. I know the Chinese. I've made a lot of money with the Chinese. I understand the Chinese mind.
For all the social changes in China can be traced to their early beginnings in the days when the new tools or vehicles of commerce and locomotion first brought the Chinese people into unavoidable contact with the strange ways and novel goods of the Western peoples.
If there's any country that has the capacity not to control North Korea, but to influence North Korea, it's still China. The Chinese always say they have very little influence. They have more than they say they do. We should put pressure on them to do it and there's finally, we're seeing the first signs of a little bit of Chinese disaffection. At some point they're getting tired of the antics of this country. This is a dangerous ally for China to have. And the more Chinese can pressure them and put the economic screws on them, the better it will be for everybody.
The Chinese traditionally have revered age and longevity - I have one and hope for the other! - so, in Taipei, a city-hub for global Chinese who dis-identify with the People's Republic of China's construction of a Communist nationalist Chineseness, I called on the Chinese muse of writing to witness my emergence out of the academic woods.
One of the great famines in human history took place during the Chinese Cultural Revolution. [At the same time] Western journalists were reporting how marvelously Chinese society was working. We know so little [about what happens in China].
Chinese Americans, when you try to understand what things in you are Chinese, how do you separate what is peculiar to childhood, to poverty, insanities, one family, your mother who marked your growing with stories, from what is Chinese? What is Chinese tradition and what is the movies?
There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
Of other countries, to impose economic sanctions, it'd really begin to dry up the enormous amount of money coming into North Korea, a lot of it from China - from Chinese banks - whereas, if we sanction the Chinese banks, there could be friction with China. But this is something we're going to have to face.
In the early 1990s we witnessed the emergence of a revitalized contemporary Chinese art world that began as a reaction against the government-approved Social Realist style. Zhang Xiaogang, Huang Yong Ping, Ai WeiWei, Yue Minjun, and Wang Guangyi were among the first group of artists to establish a movement that became known as Cynical Realism.
When it comes to Pakistan, the first word that comes to the mind of the Chinese is 'iron brother.' To us Chinese, Pakistan is always a trustworthy friend who is as solid as iron. Actually, Chinese netizens refer to Pakistan as 'Iron Pak.' This testifies to the strength of China-Pakistan friendship.
In my own art, I try to use my personal voice and effort to enable some Chinese people to see the possibilities of another kind of China. A more open China.
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