A Quote by Arnon Goldfinger

I view every film as a commitment to undertake a long journey. — © Arnon Goldfinger
I view every film as a commitment to undertake a long journey.
I view every film as a commitment to undertake a long journey. I suppose this has to do with my need to leave no stone unturned, and sometimes to even dig deeper into the mine.
The journey for women, no matter what venue it is - politics, business, film - it's, it's a long journey.
As a film-maker, I enjoy telling stories, and every film has its own journey.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
The theater commitment is hard, especially in conjunction with a television commitment. That's a big, long commitment.
Every film I've made has a kind of frustrated love story in the center of it. They were people who saw life from opposing points of view, which has been in every film I've ever done. It had all the ingredients of the kinds of films I like to do.
My own view is that every company requires a long-term view.
The great thing about film is you start and finish. It's a journey that lasts so long, TV lasts a long time.
Every film is a journey.
You can become instantly successful with a simple thought, but long-lasting and pronounced success comes to those who renew their commitment to a mindset of abundance every minute of every hour of every day.
Not every film I do is going to be like 'Selma,' but every film I do can be edifying, can be something that points toward I believe to be true. I'm not one to shy away from darkness in movies as long as there is light.
Undertake this journey for the remission of your sins, with the assurance of the imperishable glory of the Kingdom of Heaven!
It's definitely been a long, long... long, long, long, long, long journey since I was selling burnt CD's out of my backpack in downtown Oakland.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
A journey does not need reasons. Before long, it proves to be reason enough in itself. One thinks that one is going to make a journey, yet soon it is the journey that makes or unmakes you.
The most challenging thing for a young entrepreneur is to think long-term. When you are 22 years old, it’s hard to think in 22-year increments since that’s as long as you’ve been alive. But it’s really important to view your life as an entrepreneur as a long journey that consists of many short-term cycles.
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