A Quote by Arvind Swami
From 'Thani Oruvan', I've decided that I will work only in films where people accept me as a team member. I can't think of ideas that I feel will improve the film and just keep them to myself.
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I can only think seriously of trying to live up to an ideal, to improve myself, if I am split in two pieces. There must be a good “I” who is going to improve the bad “me.” “I,” who has the best intentions, will go to work on wayward “me,” and the tussle between the two will very much stress the difference between them. Consequently “I” will feel more separate than ever, and so merely increase the lonely and cut-off feelings which make “me” behave so badly.
I enjoy the making of the film and it's something for me to do. If nobody ever comes to my films, if people don't want to give me money to make films, that will stop me. But as long as people come all over the world and I have an audience and I have ideas for films, I will do them for as long as I enjoy the process. And I like the whole process of making a film.
Even though I've worked in 'Iru Mugan' and 'Thani Oruvan,' I didn't have any scenes with Nayanthara.
I think if you're a good person and you show that you learned from all the mistakes that you made you move on with your life. Everybody will accept that. Only an idiot will not accept that or keep reminding you of it and keep pointing that finger.
Ideas are the engines of progress. They improve people's lives by creating better ways to do things. They build and grow successful organizations and keep them healthy and prosperous. Without the ability to get new ideas, an organization stagnates and declines and will eventually be eliminated by competitors who do have fresh ideas.
I will always continue to make stupid action films but I think 'V For Vendetta' is a very smart film and I think that people will feel differently about things when they see it.
The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.
I think it's a shame when the arts have to suffer because of corporate greed. People will always strive to make film, and the only important thing is that we keep trying to make ourselves heard and keep making our films, no matter what the climate is.
I think Trump is so dangerous because the people that he appeals to the most have this sense of despair and oppression that has become a central defining characteristic of their lives. And they feel like only he is their avatar; only he will fight for them; only he will keep the wolf from the proverbial door.
Writing is such lonely work that I try to keep myself cheered up. If something strikes me as funny in the act of writing, I throw it in just to amuse myself. If I think it's funny I assume a few other people will find it funny, and that seems to me to be a good day's work.
I'm sure there are people in Hollywood, whose main drive in film is to make money, who will feel that any use of the word hijacking or any reference to anything violent or remotely associated with the terrible tragedy that occurred will lose customers for them. And that will be the only criterion that will matter and so they'll force the minions that work for them to remove these things from their movies, or not make movies about that subject.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
People know Sajid Khan's films as comic capers which make them laugh. They expect a comedy film from me and now I will give them only what they want.
I think if people who are attacking me or against me, if they would just watch one of my films, they would - they may not agree with me politically on all the things I'm saying. But they will know at the end of the film that I love this country and that I have a heart. And they'll have a good laugh throughout the film.
There will come a time when the public will tire of me and let me know it. That's when I retire. But so far, I've continued to grow. I keep pushing myself to improve.
It's a privilege. It's a real honor. It's a challenge. Michael and I always feel we stand on tall shoulders when we make these films. Audiences come to them with a lot of good will because of what's come before. We just try to make the best film we can, each time, and hope that we satisfy the fans. I'm sure, with Skyfall, that we will. I think it's a terrific film. I hope the audiences enjoy it, as much as we've enjoyed making it.
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