A Quote by Asghar Farhadi

When I came to know theater, drama became valuable to me. — © Asghar Farhadi
When I came to know theater, drama became valuable to me.
I came up through the theater. I came out of drama college and started working in the professional theater.
The condition of the theater is always an accurate measure of the cultural health of a nation. A play always exists in the present tense (if it is a valuable one), and its music -- its special noise -- is always contemporary. The most valuable function of the theater as an art form is to tell us who we are, and the health of the theater is determined by how much of that we want to know.
As I became George professionally and everyone called me George, Yog became the name that people who knew me from before started to use. It became more valuable to me.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play.
I felt it was really important to come here to see what was happening in New York. So, I came to see film and accidentally I stumbled upon theater, so I discovered Andre Gregory, Richard Foreman, Robert Wilson, and theater became my first anchor.
The theater's been very good to me and I became Julie Halston through the theater.
I was just this little theater geek. I joined the drama program my freshman year. I read the morning announcements my sophomore year. I didn't have to eat in the cafeteria with everyone else because my drama teacher was cool. Everybody knew who I was, and that's all I ever wanted as a theater kid.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
I've been asked to write a book several times; I've had several publishers come to me and offer me book deals. Especially right after I left Dream Theater and Avenged Sevenfold, there was a lot of drama going on in my life, so the book companies came at me thirsty for blood and gossip. And I turned down all the deals.
He didn't love me because I'm valuable. Because He loved me, I became valuable.
For me, it's all I've wanted to do. I did local plays and productions, local theater groups and anything that involved it. And then, I went and studied it, attended drama school and got my first lucky break in the theater in London, and just went from there.
My parents brought us up in a very clever way, which was that they saw what we were interested in naturally, and then they encouraged whatever that may be. When I started sharing a keen interest in drama and the theater, instead of steering me away from it, they encouraged me to see plays and think about drama school.
The drama nerd comes out in me when I'm in a theater.
I didn't have drama in high school. So when I graduated high school and started at Wayne State in Detroit, I told my parents I was going to major in theater. And they were like, 'OK. Why? You've never done it.' But, it was just what I wanted, and they came to see my very first show and, from then, completely supported me.
When I gave up me, I became more. I became a captain, a leader, a better person and I came to understand that life is a team game...And you know what?...I've found most people aren't team players. They don't realize that life is the only game in town. Someone should tell them. It has made all the difference in the world to me.
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