A Quote by Asha Parekh
We were to work in a film titled 'Zabardast'. Unfortunately, this film didn't take off. After this, I never got another chance to work with him, I regret not having worked with Dilip Kumar.
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I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
I got a chance to act in a film, 'Derailed.' I was having a recurring nightmare, and after doing that film, the nightmares stopped.
I had to pinch myself. I got the call and didn't expect it. And right up 'til nearly the end of filming, I was thinking, 'Am I actually doing a film with Akshay Kumar?' because I was a massive Akshay Kumar fan before, and the first film that I ever watched was his and Katrina's film, 'Namastey London.'
'Race' is one of the most successful film franchises in Bollywood. So I was really excited and honoured on being approached for the film. But since I was already committed to another film during the same time as the makers are planning to shoot 'Race 3,' things eventually didn't work out, unfortunately.
Talent has no gender. People are hiring young male directors right out of film school, off of a student film or off of a film at Sundance for millions of dollars. You can do the same with a female. It's not a risk about the work if you respect the film that they made.
Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.
I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
'Baahubali' has brought so much name and fame to our industry. And if given a chance to work with Rajamouli, who would say no? I hope to work with him. You never know, maybe my 151st or 152nd film.
An actor had made a comment and said, 'You are so unapproachable.' He called me boring and said, 'You're no fun.' He also said, 'I don't know if I ever want to work with you again.' And I never worked with him after that film.
But I won't work with the exact same crew film after film because I feel the work would get a little complacent.
I really learned a lot when I worked on my grandpa's film 'Twixt' and got to be with him start to finish and sit next to him every day. That was my film school.
If I hear a film clip, or I happen to see some image from a film - you go to a film festival, and they show some clip of the movies you've been in, most of the time I sit there and go, "Oh God, I should have... should have... that was terrible." But I think that's a natural part of this work, because really, your work is never over. Of course I can leave it alone and walk off the set and never think about it again when it's done. But your work is really ongoing all the time.
Like Dilip Kumar, I've never run after money but only after good roles and that's why have always rebelled against those directors who wanted me to do buffoonery in the name of comedy.
I do not believe in superstars. For me the only superstar has been Dilip Kumar and he will always be. I don't consider anybody after him as a superstar.
In 'Badlapur,' my character's name is Jhumli. It's a special film for me because I got a chance to work with my favourite director, Sriram Raghavan. I'm a huge fan of him.
It used to be that if you were on a sitcom you couldn't get work in film because it was so different. Now it's almost like you have to be on TV to do other film work.
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