A Quote by Ashton Sanders

I'm very much of an individual myself, and I do things sometimes that the next person probably won't, or wouldn't, do because they're not me. — © Ashton Sanders
I'm very much of an individual myself, and I do things sometimes that the next person probably won't, or wouldn't, do because they're not me.
I'm a strange person. Sometimes I hardly know what I'm going to do or say next. Sometimes I seem a stranger to myself. Sometimes what I do surprises me and I can't understand why I do it.
I think [James] Joyce sometimes enjoyed misleading his readers. He said to me that history was like that parlor game where someone whispers something to the person next to him, who repeats it not very distinctly to the next person, and so on until, by the time the last person hears it, it comes out completely transformed. Of course, as he explained to me, the meaning in Finnegans Wake is obscure because it is a 'nightpiece.' I think, too, that, like the author's sight, the work is often blurred.
I always worked as an individual artist even when Group Material asked me to join the group. There are certain things that I can do by myself that I would never be able to do with Group Material. First of all, they are a totally democratic entity and although you learn a lot from it, and it's very moving, it's very exacting, everything has to be by consensus, which is the beauty of it, but it is much more work. It's worth it 100%. But as an individual artist there are certain things that I want to bring out and express, and the collaborative practice is not conducive to that.
But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day. I just dragged myself through GCSE and A Levels, so it suited me very much to go on to drama school, which was very active.
I make some movies for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine that I'm an audience member. I would lose myself too much if I thought of myself as the audience. There are other types of genre films that I need to be able to direct from the audience, to be right next to you watching the picture being made.
One thing about me is that I'm very much like the Black Madonna. I love to reinvent myself and that's because I am a very free person.
A certain construct of emotions that really define who you are and who you will become and I feel very much that my childhood is very alive inside of me, very close to me, very much part of me. And it's a sometimes painful, sometimes joyous inexhaustible resource for poetry.
I'm as vain as the next person, but I've made so much fun of myself over the years, and that's very salutary as you grow older.
For me, it's very important if I do action movies and I have a stunt person, to work with them. Not only by memorizing the choreography but also it's important to study that individual and it's imperative for that individual to study you because you're not playing two different people, you're playing the same person.
An individual who can freely and with a clear heart do things because they're fun is a very sane person.
It's tough because sometimes you'll just be on the web and things pop up or you get emailed something from a friend. It is definitely impossible to avoid stuff about me sometimes, but it's pretty important to try. It's very rare that things are true about yourself that are on the Internet. It's just sad sometimes. So you definitely try and stay away from it as much as possible.
You must know that in any moment a decision you make can change the course of your life forever, the very next person who you stand behind in line or sit next to on an aeroplane, the very next phone call you make or receive, the very next movie you see or book you read or page you turn could be the one single thing that causes the floodgates to open, and all of the things that you've been waiting for to fall into place.
I've always been a very passionate, sometimes overly emotional person. Sometimes things affect me more than they should.
To me, a performance is a military operation; it requires so much planning, and then ripping up the plan the minute you get there because you have no idea what the audience is feeling. I'm very much an entertainer, and sensitive to the audience's perception of me. I often have to do unexpected things, even for myself.
If you are asking me what the individual can do right now, in a political sense, I'd have to say he can't do all that much. Speaking for myself, I am more concerned with the transformation of the individual, which to me is much more important than the so-called political revolution.
I think every person is different in coping with pressure; every person thinks differently. For me, sometimes it is difficult because people expect so much of me.
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