A Quote by Asif Kapadia
My wife Victoria Harwood was art director on 'Far North,' and she had designed my student film, 'The Sheep Thief.'
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I started as an artist and I had a side job moving some heavy boxes for a publishing company. They had just gotten a Mac for their art department, the department that creates the book covers. I was kind of showing the art director a thing or two about how to use a Mac. And one day everyone went out to lunch and I jumped on the computer and designed a book jacket and slipped it in the pile to go to the review board in New York. They picked my jacket and when the art director got back to Boston, he wanted to know who designed it and I said, "Me." He was like, "The box guy?"
Snow Cake is a lovely film. Really proud of that. We shot it in 21 days. I thought Sigourney was amazing in it. And very, very accurate. I think there was some element that thought she had pushed it too far. But not at all when you do the amount of homework she had done and spent the amount of time she did with adult autistics. She was right on the money. And I think Marc Evans is a terrific director. He's a sweet, open, honest man and a really good director of actors.
The Nike swash that cost $30 and was designed by a Portland State University art student was probably worth that when she first showed it to them. At that point it had no equity at all. None of the guys commissioning it particularly liked it, they all wanted the Adidas three stripes and they thought that was a good logo.
I wanted to be in film. I wanted to be a film student, possibly be a director or cinematographer, not an actor. That was my goal. I didn't believe I had the physical beauty that I'd seen projected and advertised in movies, in theater. It just wasn't for me.
The State Film Authority will be there for film as industry only, as is the case in all the other states, except Victoria. Victoria is moving more now into supporting non-commercial films.
Mary had a little sheep,
With the sheep she went to sleep.
The sheep turned out to be a ram,
And Mary had a little lamb.
Consider what importance to society the chastity of women is. Upon that all the property in the world depends. We hang a thief for stealing a sheep; but the unchastity of a woman transfers sheep and farm and all from the right owner.
On 'Far North,' we were always aware of being at the whim of mother nature. She's the biggest star in the film.
My wife is the most savage critic. She doesn't feel intimidated by my reputation. As far as she's concerned, she's just criticising a boyfriend who'd recently had a go at fiction. She can tell me to abandon whole novels.
Then she had been a fiancee, a young wife, and a mother, and she had discovered that these words were far too small ever to contain the experience.
Film’s thought of as a director’s medium because the director creates the end product that appears on the screen. It’s that stupid auteur theory again, that the director is the author of the film. But what does the director shoot-the telephone book? Writers became much more important when sound came in, but they’ve had to put up a valiant fight to get the credit they deserve.
Ask anyone who makes a full-length movie that's shown in the art world if they'd rather have a career as a film director or as an artist. Invariably, they'd rather be known as a film director, because that's what they are. But there's not really a system of independent distribution anymore that allows for that, and so the art world has kind of become all-enveloping. It's absorbed all of these disciplines that don't have a home anymore.
My wife, Jill, and I have an incredibly close working relationship, and an incredibly happy married one. We met through work. I was the world's worst advertising copywriter. She had the misfortune to be my account director, so from the very start she was my boss, and she still is.
A strong film director does leave you to your devices. A strong director allows you to be free and you trust that he's there and he will tell you if you've gone too far. A strong director allows you to be much more experimental and take greater chances than a director who isn't secure within himself.
I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997.
I met my wife Anne who was a sociology student, and her influence together with activities associated with the student movement of the time opened up my interests amongst other things into the theatre, art, music, politics and philosophy.
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