A Quote by Asif Kapadia
When I was given the opportunity to direct 'Senna,' I decided the film had to work for audiences who disliked sport or had never seen a Formula One race in their lives. It had to thrill and emotionally engage people who had never heard of Ayrton Senna.
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After you've had Alain Prost and Ayrton Senna as team-mates you don't give a **** who the next bloke is
My team and I used the actual footage to create a three-act story of the life of Ayrton Senna. There are no talking heads and no voiceover. Senna narrates his own epic, dramatic, thrilling journey.
In a film called 'Senna,' the clue is in the title, and we have a Brazilian badge on our sleeve as we were making it. We were making it from Senna's point of view, with Senna narrating it.
Just competing in the Brazilian GP is a dream for all Brazilian racing drivers. I remember sitting in the grandstands when I was a kid, watching Ayrton Senna, Nelson Piquet and even Rubens Barrichello. After that, to race there in Formula One is a feeling that is hard to explain.
I had seen this comic called 'Invincible' created by two people I had never heard of before, Robert Kirkman and Cory Walker, and I was a huge fan. 'Invincible' probably had five or six issues under the belt, and the book was so impressive to me, I was surprised that I had never heard of them before. It's like they came out wholly formed.
I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.
I've never seen anyone - and I've had the opportunity to work with some really terrific actors in my time - but Philip Seymour Hoffman is definitely the best I ever had the opportunity to work with.
When I first came round in the medical center after my accident, the first face I saw was Ayrton's, with tears in his eyes. I had never seen that with Ayrton before. I just had the impression that he felt as if my accident was like one of his own. He helped me a lot with my career and I can't find the words to describe his loss.
All the reading she had done had given her a view of life that they had never seen.
Winning at Monaco feels unbelievable, because it's such a special race and it's also my home race. My first memories were of watching Ayrton Senna here with his yellow helmet, and one day dreaming to win the Monaco GP.
Why make a movie about Ayrton Senna? Someone who drove around in circles at 200mph in a car that looked like a giant cigarette packet? Why would anyone who isn't already a fan of Formula 1 care?
Hopefully, when people see 'Senna', they will understand why this inspirational story needed to be told, why it had to be made as a movie for the big screen, and why it is a film for everyone.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
I've watched 'Senna' - a documentary film about a Formula One driver - three or four times now. I'm not a massive Formula One fan but I watch it and think 'God, what a waste.'
My unworldliness, even at 21, was abnormal. Not only had I never smoked tobacco nor touched alcohol of any description, but I had never yet set foot inside a theatre, or gone to a race course I had never seen, nor held a billiard cue, nor touched a card.
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