I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
'Viceroy' is the first British film about the Raj and the transfer of power from Britain to India made by a British Indian director. It is a British film made from an Indian perspective.
My 22-minute film, which I called 'The Sword and the Flute', turned out to be a romantic film about India made by someone who had never been to India, but who already had very romantic feelings about everything Indian.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
Bollywood is there; the film industry is thriving, and it's huge, and it's everywhere. Anytime I travel abroad and I say I'm an actor from India, they're like, 'Oh, Bollywood!' And I say, 'Umm, not yet!'
I am an actress. My first film was a Telugu film, my second film was Bollywood, and third was Indo-Chinese.
I am ready to work in any industry whether its Bollywood, Hollywood, the digital platforms, South Indian film, or Bengali films. Wherever I get a good opportunity, I'll be there.
One of the major aspects of film composing is that it's not so much a musical thing as it is communicating your ideas with the director, who often does not come from a musical background.
I've always wanted to do an Indian film, but I didn't want to come to India and pretend that I could play an average Bombay girl.
I hate the term 'Bollywood,' because we're not a 'me too' of Hollywood. The Indian film industry is prolific.
My best film is always my next film. I couldn't make Chungking Express now, because of the way I live and drink I've forgotten how I did it. I don't believe in film school or film theory. Just try and get in there and make the bloody film, do good work and be with people you love.
I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music.
In Bollywood, you have to do one film at a time, and there are no mixed schedules. And doing four films at a time is out of the question. Telugu film industry works very differently. But the kind of films I'm getting here are better than what I've been offered in Bollywood.
Yes, TV is the dominant medium in Pakistan, but it was a conscious decision to have an Indian film as my first release. Being launched in an Indian film with a great script, character, and music is half the battle won. The rest is destiny.
While Hollywood has had a huge influence on the Indian industry, Bollywood and its actors, too, are garnering a lot of attention in the western film world.