A Quote by Asif Kapadia

People have always been recording what's going on around them in one form or another. — © Asif Kapadia
People have always been recording what's going on around them in one form or another.
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
We've been around long enough that there have certainly been people at every stage of our career telling us about one or another record being influential to their lives in one way or another. It's always nice to hear that stuff.
I'm recording another demo for another batch of record labels that we'll shop it around to.
When you're recording classic songs, you've got to kind of make them your own, and you can't always worry about what people are going to think.
Anti-intellectualism ... has been present in some form and degree in most societies; in one it takes the form of the administering of hemlock, in another of town-and-gown riots, in another of censorship and regimentation, in still another of Congressional investigations.
How ironic that returning to a raw and ancient form of worship is now seen as new and even cutting edge. We are simply going back to a vintage form of worship which has been around for as long as the church has been in existence.
I've always been fascinated with the juxtaposition of technology in music, not only in recording, but in the keyboard. It's amazing the way you can apply technology to an art form.
'Coriolanus' has been around for 400 years, and it's going to be around for another 400 years, and nothing I can do is going to mess it up. So, going into it, I felt sort of very free to look at it as a filmmaker does.
Since I'm known for recording other artists' material, I'm absolutely deluged with mail from all the publishing companies. They take all the songs that've been lying around the office for months and throw them at me. Most of them are terrible, but you have to listen... just in case.
There are people who are always, I think, going to remain people of the book, to use another author's title, but people of the book, who really must be around.
I've been recording forever. I'm a watcher. I'm a stalker. I love everything about people. It's always been a passion for me to observe.
I don't have any particular goals in making a recording. In a way the recording is itself the goal. The music comes into my mind, and from there the main job is to give form to it.
I would be involved with music whether I had a career or not. I'm always going to be writing songs and recording them.
How could Michelangelo have seen his David in a block of marble? Man began to make images only because he discovered them nearly formed around him, already within reach. He saw them in a bone, in the bumps of a cave, in a piece of wood. One form suggested a woman to him, another a buffalo, still another the head of a monster.
It's always disappointing when people decide for one reason or another that they don't like your work anymore, but you can't try to please people, because then you're just going to be doing - you'll never live it down, y'know it'll always be dogging you around - you might be being a fake about the whole thing.
I'm from the generation that's always been recording, from the very beginning. I learned to play the guitar on the four-track. I started listening to music at a time when people were doing recording at home, when the discussion about songwriting correlated to the discussion about producing and engineering. I think that's a description of my generation.
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