A Quote by Asif Kapadia

I made several short films with very little dialogue. I'm still not a fan of talking heads. My stories are told with images as much as possible. — © Asif Kapadia
I made several short films with very little dialogue. I'm still not a fan of talking heads. My stories are told with images as much as possible.
I made lots of short films, about nine or ten short films. And then I made a television film called 'This Little Life.'
Each day has a story to - deserves to be told, because we are made of stories. I mean, scientists say that human beings are made of atoms, but a little bird told me that we are also made of stories.
I've seen films that have made as much as $100, $200 million, but they're not films. They're images. They're flashes. They're many beautiful images, lots of things to look at. They capture you. But it's not a film. It's not something that involves you in a story. They go to cinema now to be blown away by the effects.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
I was a Talking Heads fan from the very beginning.
I love short stories. They're like small imploding universes. They are very tightly bound and controlled. I'd been wanting to write one for ages but just got tangled up in novels. The novel is the same in the sense that it is also a universe, but it explodes outwards with all that shrapnel going in several different directions. I don't see too much difference in the forms except for the fact that writing short stories is like sprinting rather than long-distance running.
I grew up in a world where stories and images were made and told by men. So I know this world very well. I am moved by this world.
I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of.
I don't normally make documentaries. I'm a drama director. I've made a few short docs, but I don't like talking heads or 'voice of God' narrators.
I'm not a great fan of very short films.
I like fiction that deals with matters that are of burning importance to us in our private lives. And not all short stories are like that. In general, short stories - and maybe this is a little bit off-topic - but I think short stories have this bad association with, like, waiting rooms.
So, short stories have an even harder time, because they tend to get read during the day, between other things. They're interstitial. And yet the content of short stories tends to be very much "nighttime" content.
In India, we always look at feature films as a progression over short films. But, abroad, people make a living making short films. The revenue might not be as much as in feature films, but the return on investment is good.
I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
The shows being made nowadays are very similar, very regressive. We are talking about the type of '60s, '70s kind of films, and similar stories are being shown on TV today. Only rehashed and glossy. It does not interest me.
I'm not a huge fan of very plotty shows. I'm much more of a fan of character-driven stories.
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