A Quote by Asif Kapadia
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
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I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
[W]hen you're shooting a doc, you're trying to class it up because you can. You know, you're trying to make this feel like cinematic experience. And when you're doing fiction you're trying to do the opposite thing you're trying to take this very artificial experience this very artificial experience and make it feel real and visceral.
I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your "moment," or whatever. The story is a lot bigger than you, and you're there to help it along. The thing to think about is whether what you're doing is true to the moment and where the story's going, rather than going, "Here are my scenes. What can I try and do to make the most of them?"
The picture is not a documentary, ... It's a drama that has to be crafted. Reality is not art. You have to make choices when you're trying to make something work. And the choices we make I think are accurate. There aren't any lies in it. There are assumpt
you never know which thing you do is going to turn out to be important. I'm sure we've all done very small things that had very great impact and very big things that didn't make any difference. So, create the means that best reflect the ends we want. Try to make each moment authentic, and you'll get to an authentic end.
If you're trying to make someone happy, you gotta try and make them happy. If you're trying to have a normal conversation, you've got to have a normal conversation. If you're trying to make them sad, you've got to make them sad. I think that's how you get real performances out of people.
In true-life dramas, you have to do so much research. It's a big responsibility to make sure things are as correct as possible. In 'Robin Hood', you have more artistic license - it's all action, adventure and reaction. This gives everyone a chance to make their characters their own and to make them believable.
What Is Your WOW Factor? This applies to both the service that you provide to the world and the way you market it. Make it edgy, make it snappy, and make it punchy. Even make it raunchy - but make it different! Real different!
I think what I am always trying to do is make clothes for every girl to wear, to make things that you are going to accessorize from day to night. I am really trying to focus on casualwear - making your basic sweatpants cool, trendy, and funky.
If you're trying to be realistic and bring real life to the screen, you are going to have different elements. That's what I'm trying to do. As I make the movie, different elements come in naturally.
Whenever you work with someone who you idolize, you realize... he's just a person trying to make a movie as best he knows how. And that doesn't look so different from other people trying to do the same thing.
Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.
Well, I think in trying to make life seem real enough that one is moved to do something about the more atrocious things. By going really far afield into a completely fake world, maybe there's a chance to make things resonant somehow - or in this case, truly terrifying. To make it as bad as the real stuff that's happening.
I strive to live with passion and not to be desensitised to life. Things matter to me. You’ve got to live like that. Otherwise what’s the point? It’s not possible to please everyone and there is no point in trying to be what other people think you should be. For me, it’s important to be who I am, not just to be different but to be as authentic as I can be.
Trying to tell an authentic, raw and honest story without making it therapy. Separating myself enough to have perspective while putting myself in the emotional hot seat so that I could make this thing real. Asking for help. Delegating responsibility. Standing up for myself. Fighting the impulse to be sweet and likeable 24/7. Being open to all ideas, but staying true to the spine of the story. Knowing when to let go and when to hold on and fight like hell. Getting out of my own way. Shall I go on?
I think the writers give us different people to work with, different situation scenarios to be in and there's always that fun balance of, you know, trying to keep it light and, you know, light-hearted and put in the comedy while trying to make it into drama.
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