A Quote by Atom Egoyan
Sometimes you think you want to know something, but it's actually more exciting and more resonant when you have to try [and figure it out].
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Every movie that I do, I always try and better myself in the next one and try and find a part which is more challenging. It's a little vulnerable to do that, to always push the envelope. You position yourself for a lot more flack or a lot more critique because you're trying to do something different. Sometimes you're good at it and sometimes you're not, but it's a chance you have to take to make life exciting.
I've always been someone who likes to share and talk. When something happens to me I [don't] run away from it. I want to dive right into and explore it. Try to figure out why it's happening and try to figure out something good that's going to come out of it.
Sometimes I get a little exhausted by shows or movies that are constantly throwing famous people on. And I find it so much more exciting to not have that when I'm watching something. I think it allows you to get more lost in something and also to bring more attention to more unknown or less recognizable people.
The more we try to control our kids and create who they are and where they're going, the more that will fall apart. That's a dangerous thing. So you need to actually manage the fear and figure out who your kids are. Who do they want to be and how can you help shape that, but not control it.
I figure if someone calls something a 'Draugr,' people can figure out that it's a monster or some sort of mythic creature, and if they want to know more, there's plenty of information out there about those mythic creatures.
The technical stuff does matter. It gives you a bit more ownership, a bit more power to choose what you do so that if you miss one, you can try to figure out a way, and that makes the next kick really exciting because it means you've got to commit everything to it.
We also don't always know what we want. And in those cases it can actually make us worse off because it's actually easier to figure out what you want and to figure out how the options differ if you have about a handful of them than if you have a hundred of them.
Once people have tried to do something they think is uniquely innovative and it doesn't work, they're actually now more valuable because they know what not to try the next time, or what to try differently.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
That's sort of my mindset, more than anything else, whenever I get into anything new. I'm in this constant pursuit for new knowledge. I think I sometimes focus more on all the things that I don't know and what I'm trying to figure out.
Particularly for women, I think more of us in the industry need to just do it. I think guys are more willing to put themselves out, that way, at least with the girls that I know. We say we want to direct, but then we don't actually do it.
If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.
Oh, and one more thing: If I try something that I've never done before, something that's particularly difficult for me, and it doesn't work out, that doesn't make it a failure. The fact that I actually succeeded in finishing it makes it a huge success. Think of all the people who never even try.
I think it's important that filmmakers look at the technology and figure out how to make the theatrical experience a little more exciting.
Milton on speed. I am going to need about a decade to think about that. That delay in syntax, the putting off of the click of the sentence into itself, is something that has always intrigued me. I love the emotional effect of it, and never want it to be merely a gesture. Sometimes I try it and it doesn't work, so I have to put the poem aside, and try again, more simply and more strange.
I have a tendency, more than most other physicists, to try to figure out everything all at once, before I publish. And even to try to figure out everything in my head, without pencil and paper.
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