A Quote by Aurora Guerrero

For me becoming a filmmaker was about taking back my voice - crafting stories that would move away from the problematic narratives that the studio system would put out about Latinos. I think this is why people like my films. They're refreshing. They feel more real.
Oh, I think Neymar would be a nice guy I'd like to meet. Messi, too. Cristiano Ronaldo. I think they are guys that their lives would encourage me. They would be nice people to meet and know more about their stories, to evolve and grow more with their stories. I think it would be cool to meet them.
While I think love is a beautiful emotion, I can't make simple love stories any more. In the time that I have, I would like to make films about things that move and bother me.
I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.
Films were always there at the back of my mind. I would try to move away, but films kept coming to me. I would do movies for friends. I guess some things are meant to be!
These days we're all hyper-aware of the canonical way in which stories are supposed to play out - people are taught all about three-act scripting and where to put the reversal and all of that - and I think we can do more interesting narratives.
I don't like to talk about messages so much with films simply because it's a little more didactic. The reason I'm a filmmaker is to tell stories and so you hope that they will have resonance for people and for the kind of things you're talking about.
What would happen if people practiced openness and honesty? If people talked about their real challenges without shame or fear of rejection? My guess is that people would feel less alone and isolated. People would be willing to share more, and as a result, society would feel more connected to each other and their experiences.
Writing a book is something I actually feel like I could do. I don't know when that would happen, but I feel like if the right idea strikes, whether it be short stories or a novel or even a memoir that would be more substantial than most of the comedian memoirs people put out where it's big font and all the chapters are like ten pages long.
I would like to be known for honest, relatable writing and stories that that are real. There's just this shift I think is happening in a lot of society right now where being your most real self, however embarrassing or vulnerable or weird that is, is the coolest. I feel like that's what Lena Dunham's about and Amy Schumer's about.
I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
I'm the type of person that doesn't like to wait for people to do things for me, and I never want to feel stuck. Why sit around and be like, 'I wish my label would book me some studio time,' if I can just buy my own studio equipment and figure out how to run Pro Tools and record it myself?
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
The issue I focus on the most is extreme poverty. I think it's kind of out of sight out of mind. I wish there would be more stories about that to connect people to what's happening. To personalize it, to make it real to people, to inspire them to action.
If people thought about food more like how we think about the environment, a lot of people would be eating differently and the whole system would look a lot different.
I've talked about tall poppy syndrome when I see people. I used to be like, 'Why am I feeling this way? What is that person taking from me that makes me feel inadequate?' That same feeling you feel when you feel uncomfortable because people start talking about racism, lean into that feeling, don't just look away from it, because you can't pretend.
People who think about time travel stories sometimes think that going back in time would be fun because you would have all the information you needed to be much more astute than the people there, when the truth is of course you wouldn't.
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