A Quote by Austin O'Malley
When a great life sets it leaves an afterglow on the sky far into the night.
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That night I lie out under the stars again. The Pleiades are there winking at me. I am no longer on my way from one place to another. I have changed lives. My life now is as black and white as night and day; a life of fierce struggle under the sun, and peaceful reflection under the night sky. I feel as though I am floating on a raft far, far away from any world I ever knew.
I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.
When is a night over? Is it the start of sunrise or the end of it? Is it when you finally go to sleep or simply realize that you have to? When the club closes or when you everyone leaves? "It's over when you decide it's over," she says. "When you call it a night. The rest is just a matter of where the sun is in the sky.
The morning, which is like a farewell that approaches slowly from far away, while smiling... We are the sunshine in the night sky. It's as if the Night is sleepwalking. Slowly, we'll be forgotten.
The Night Sky is not just another planisphere. I think The Night Sky is the finest and easiest to use star finding aid in existence.
When I was in Baltimore, I played in several different bands, doing four sets a night, two sets of originals, two sets of covers, that kind of thing.
When the sun sets beautifully, other beauties rise. Nature is a theatre; when one great player leaves the scene, another great player immediately enters. The play always continues excellently.
The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves itto the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.
Over all the sky - the sky! Far, far out of reach, studded with eternal stars.
But one, the lofty follower of the Sun, Sad when he sets, shuts up her yellow leaves Drooping all night; and, when he warm returns, Points her enamoured bosom to his ray.
As artist Nature splashes color across the vast canvas of the sky with the radiance and splendor of sunrise and sunset. She arches rainbows against the passing storm, creates flowers and foliage, sets autumn woods on fire with the beauty of turning leaves and touches mountaintops with snow crystals.
In your arms was still delight,
Quiet as a street at night;
And thoughts of you, I do remember,
Were green leaves in a darkened chamber,
Were dark clouds in a moonless sky.
Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth. We walk through it, yell into it, rake leaves, wash the dog, and drive cars in it. We breathe it deep within us. With every breath, we inhale millions of molecules of sky, heat them briefly, and then exhale them back into the world.
It was a marvelous night, the sort of night one only experiences when one is young. The sky was so bright, and there were so many stars that, gazing upward, one couldn't help wondering how so many whimsical, wicked people could live under such a sky.
Cold air rises from the ground as the sun goes down. The eye-burning clarity of the light intensifies. The southern rim of the sky glows to a deeper blue, to pale violet, to purple, then thins to grey. Slowly the wind falls, and the still air begins to freeze. The solid eastern ridge is black; it has a bloom on it like the dust on the skin of a grape. The west flares briefly. The long, cold amber of the afterglow casts clear black lunar shadows. There is an animal mystery in the light that sets upon the fields like a frozen muscle that will flex and wake at sunrise.
Playing along with records is key. And as far as equipment goes it has gotten so much more affordable and the drum sets are of great quality. I play Pearl; their Export Series is great for a beginner.
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