A Quote by Ava DuVernay
There was a time when I was knocking on doors and concerned with being recognized in dominant culture. I've found a space where the terrain is different, where I'm embraced by people like me, and where I'm building new ways of doing things, as opposed to trying to insert myself in a place that might not be welcoming.
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I feel more meditative when I don't have a home. I like being put into a new place and making friends with people from a different culture, trying to find the lines of communication. It's a lot of reflection of myself and seeing new scenery.
Skating is a sport that I found a lot of interest in from a very, very young age. Ultimately, I think that being on the ice, being in the cold, and trying things and challenging myself in different ways is something that made me really interested in skating.
In the Afghan people, I found the most resilient, welcoming people who, for the first time in my career, never judged me over my right to tell this story - as a woman or a foreigner. A people who cherish their culture and history and the films that have captured that culture.
It's the balance I'm trying to find - not being disconnected but giving myself some space to be in my world. I feel like I'm surrounded by friends of mine who are very different from one another but all care about similar things. We talk about this a lot, and I think that's probably the main thing - being surrounded by good people is the best way to stay in a solid head space. You want to be able to talk about these things, and be able to think things through and feel things through. That's helpful for me.
I remember learning new words, trying to figure out what common things like cider, finding myself upset that my parents couldn't help me understand this new culture, that it was up to me to interpret for them as well as myself.
I'm continually astonished with myself how different people bring out things in me that I never knew I had inside me. Each new friendship can make you a new person, because it opens up new doors inside of you.
When I turned twenty-five, I did a six-week trip around Europe by myself. I'd never really done a European trip before and I'd definitely never traveled alone like that. I just had such a great time meeting people. I had such a great time seeing new cultures and different ways that people think and different ways that they live and different ways that they see the world.
I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
I often need a limited space. It's like having a house to roam around in and reinvent and have things to happen in, kind of like a French farce. Doors opening, doors closing, new people arriving, and disappearing, and so forth.
We operate from this position of, "Let's build the skeleton and then insert the filling." We have this ping-pong dynamic with each other where we're able to try different things and bounce different ideas, and it ends up being us building our music together. I've never had a moment where I've been like, "I don't like it." Actually, that's total bullshit. I've had many moments where I'm like, "I don't like it," but it's always evolving.
Breaking with the pack may be exactly what we should be doing. Saying "no" to the dominant culture that is trapping us in destructive ways of living might be the most life-serving thing we can do.
I think that I am lucky and blessed to have the job that I have, and I am trying to create longevity. If that means that I transition into different things at different points in my life, then that's fine. I also believe that if doors don't open, make new doors, so I've also started producing quite a bit of things.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
There are two sure ways to fail: never get started and quit before you succeed. Many companies promote the language of risk-taking and innovation but are so concerned with short term profit goals that their culture discourages innovation (trying new things) and abandons promising projects too soon. It shouldn't require exceptional moral courage to try new things and stick with them.
Being my dad's daughter has allowed me to do a lot of things that maybe another artist might not be able to do or wouldn't be necessarily embraced doing.
I'm trying to find new ways to entertain myself because, if my whole world is doing interviews, I might as well put them in places I've wanted to see.
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