A Quote by Ava DuVernay
Positive characterizations are complex characterizations. That's all we need to know. They shouldn't be saccharine. They shouldn't feel like medicine.
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The 250-page outline for American Tabloid. The books are so dense. They're so complex, you cannot write like I write off the top of your head. It's the combination of that meticulousness and the power of the prose and, I think, the depth of the characterizations and the risks that I've taken with language that give the books their clout. And that's where I get pissed off at a lot of my younger readers.
Instead of saying, ah, I don't have the money, just embrace it and do what we can do. And the scenes that we film and the characterizations in the scenes can come out interesting. And I really feel good about that, going into it.
I don't much believe in bumper sticker characterizations of foreign policy.
My appearance qualifies me for historic characterizations, going back to the year one.
I earned my Ph.D. in philosophy, and one of my specializations was the logic and mathematics of game theory. I've also got a degree in drama, so I know about stories, characterizations, plot arcs, and the like. Lots of game designers can do one or the other: I've got the skills for both.
I don't consider myself a very good actor. I'm not bad, but there's not a lot of range in characterizations for me.
When I am spotted somewhere, it means that my characterizations haven't covered up Eleanor Parker the person. I prefer it the other way around.
He defined me first, as parents do. Those early characterizations can become the shimmering self-image we embrace or the limited, stifling perception we rail against for a lifetime.
So vast is the shadow cast by the MGM production of 'The Wizard of Oz,' so indelible are its characterizations, so perfect its music, and so assured is its cinematic immortality, that most people think of it as 'The Original.' In fact, it isn't.
THE ABULON DANCE is an intricate and fast-paced novel of political intrigue and clashing alien cultures. The characterizations are rich, detailed, and subtle, the action engrossing. I finished it in a single sitting.
Shamefulness is always a huge part of my characterizations. I like protagonists that reveal, either through "honesty" in their various thought processes or via their actions, perhaps telling us things they're not so keen on disclosing through their interactions with the outside world. Probably both during the duration of a novel.
Usually when I put my focus on the pacing, the plot, the specific characterizations, - it's ironic - but then I actually increase my chances of writing something that moves people because I haven't become too self-conscious of the goal.
I think I made a mistake with [Jane] Austen by reading all six in a row. There are similarities to the plots so by the time I got to the last one I could anticipate what was happening too easily. But her characterizations are amazing.
When becoming a character, you have to steal. Steal whatever you see. You can even steal from other actors' characterizations; but if you do, only steal from the best.
The second draft is on yellow paper, that's when I work on characterizations. The third is pink, I work on story motivations. Then blue, that's where I cut, cut, cut.
I write about life as it exists within houses and on the streets. And there's nothing, hopefully, in any of my characterizations or in any of my plottings or in any of my valuations that doesn't ring true to life. I'm a novelist. I'm not a theoretician.
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