A Quote by Ava DuVernay
All the traditional models for doing things are collapsing; from music to publishing to film, and it's a wide open door for people who are creative to do what they need to do without having institutions block their art.
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Whatever the reasons, 2008 it felt as though the combination of distribution models starting to tighten and the publishing and film and music industries having to revolutionize themselves to catch up, and understand how this is going to work in the new millennium has made it a lot easier to pursue multi-platform careers. It's much easier to hire one person who can do three or four different things than one specialist in that field.
What most people know about me, they know through my music. This time, I've tried to open that door as wide as possible. These songs are a giant step closer to who I really am and what my music is all about. Hence the title.
The Children's Health Insurance Program has given Democrats a wide-open door for socialized medicine. The door was left open by Republicans, who were in the majority when we passed the original legislation in 1997.
The wide open nature of any truly creative artistic endeavor is one of its most important virtues, and one of its harshest realities. Only the most determined, hardest working, capable and creative will make their way to earning a good living by their art.
Democracy is about institutions: it's about having things like schools and judiciary and the Ford Foundation, or 'The Nation' magazine - you need progressive institutions, you know what I mean? Those are important institutions to make sure that the government functions.
Open wide the windows of our spirits and fill us full of light; open wide the door of our hearts, that we may receive and entertain Thee with all our powers of adoration.
When I have a creative block, I take walks. I like to see what shapes stick out - so many legs rushing by at once, it can seem abstract. I don't need to see great art to get stirred up. Music does that for me more easily.
If a door is shut, attempts should be made to open it; if it is ajar, it should be pushed until it is wide open. In neither case should the door be blown up at the expense of those inside.
Traveling to the Middle East and playing music for people on the street, for soldiers, for people in hospitals, and for people who lost their homes, and seeing people open up through the experience of music really restored my faith in music, in art, and in culture to change things.
Having music in the schools, having art in the schools, having art in your life, should not be heroic. It should be every day. Having things we've paid for years ago and that we depend on kept up - our schools, our political institutions - should not be a heroic act. It should be part of our daily citizenship. The idea that we had to do this incredibly exhausting, two-year-long, very expensive, labor intensive, community-based action, is, one the one hand unbelievably great, and, on the other hand, really depressing.
I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
Art - be it painting, sculpture, music - they are all creations, they are creative acts. I consider a film, with everything that is involved in it, an art.
I grew up where, when a door closed, a window didn't open. The only thing I had was cracks. I'd do everything to get through those cracks - scratch, claw, bite, push, bleed. Now the opportunity is here. The door is wide open, and it's as big as a garage.
The door of God’s mercy is thrown wide open, and Christ stands in the door and says to sinners ‘Come.’
I don't think it's very useful to open wide the door for young artists; the ones who break down the door are more interesting.
The great thing about Europe is that things have not been represented [as much]. If you open the door of a bar in Brooklyn in a film you know exactly who is the mobster, who is the nice guy, who is the drunk, who's the waitress, who's the lonely heart. If you push open the door to a bar in Antwerp or Lisbon or Rotterdam, people will talk five different languages. You don't know who's who. You don't know if that guy is a banker or a mobster.
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