A Quote by Ava DuVernay
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
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I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films.
I've heard about brothers making films, but I've never heard about whole families making films like this. We didn't intend to do it; it wasn't something that we planned - it just gradually happened.
I am so picky about what films I get myself into because it's such an explosion of energy and commitment once you get in there, you destroy your life until you deliver these films. I never want to be in the position of making films that won't be a great use of 90 minutes of someone's life.
Making promises to myself, in my personal writing practice, has been important to me all my life. In practical application it is so much easier for me to make promises to others, and keep them, than it is to make promises to myself. "Why is that?" and the answer I gave myself is that in making promises to others I create a model of accountability and reinforcement. I duplicate that in my writing and have grown increasingly better at making and keeping promises to myself.
When I was younger, making films was so all-consuming. It was a life-or-death thing. Films still mean so much to me when I'm making them. So I had to get away from that attitude of living or dying with every film, because otherwise you'll go insane.
I take photos, I used to make films, I journal incessantly, and I really value the documentation of life. Because it's almost like you are making something special by wanting to make it exist in an object - on paper or even just in the computer - making these recordings, making this music.
Producing is making films without having to work sometimes. It's still making films, but it's a different job.
I have an intense obsession with making films. I not only love to make films, I perhaps need to make films.
I myself hate that old Hemingwayesque paradigm of the writer as prizefighter and I have tried hard to create an alternate one for myself. When Anne Sexton admonished me, "We are all writing God's poem," I took it to mean there should be no competition between writers because we are all involved in a common project, a common prayer. But to Gore's and Norman's generation, particularly those male writers who served in the second world war, the prizefighter paradigm remains.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
Barack Obama today is directing every federal agency to make sure we evaluate candidates on the level without regard to their employment history. So if you are a rotten employee, if you don't show up on time, if you don't get any work done, that cannot be examined as whether or not it makes sense to hire you. What we're gonna do is make sure that we only hire people who have been out of work the longest, because that's fair, regardless their work history, regardless whether they're qualified, this is Obama making it equal.
To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.
The idea that God's mercy is connected to whether or not I shave is ludicrous, and I need to just trust myself, and that, you know, if I'm deserving of God's mercy, I'll get it, regardless of, you know, my beard.
The idea that God's mercy is connected to whether or not I shave is ludicrous and I need to just trust myself, and that, you know, if I'm deserving of God's mercy, I'll get it, regardless of, you know, my beard.
Sometimes I doubt and sometimes I believe. And I like not making myself believe when I am doubting, and not making myself doubt when I am believing. Surely neither God nor Accident need my consistency.
Films are a very tangible thing. It's making something with your hands. I think all of these guys - Roger and the whole cast of this movie - what they did was they were willing to make mistakes. They were willing to make movies that were really bad. But they learned.
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