A Quote by Ava DuVernay
Any film that you see that has any progressive spirits that is made by any people of color or a woman is a triumph in and of itself. Whether you agree with it or not. Something that comes with some point of view and some personal perspective from a woman or a person of color is a unicorn.
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We all see color. We do. And anyone who says he doesn't see color is confused or isn't telling the truth. Except... and I know how this sounds, but I can't remember any point in my life where I saw other people and thought of their color.
Every time you hear that the majority of Democratic candidates go on stage, they say poor women of color need access to abortion. I was born to a poor woman of color. I was a poor woman of color when I gave birth to my children. Who's to say that their lives are worth any less than others?
I feel like any single woman of color who's been onstage has a Shakespeare monologue in her back pocket, and a monologue from 'For Colored Girls.' It's just part of what you should have, as a woman of color.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
A guy can try something and not be successful, and it's just about him. But when you're a person of color, when you're a woman, when you're a woman of color in particular, you mess it up, and other people get tarred by your decision-making. You never act alone.
When you're a part of any protected class, whether it is being a woman, a person of color, a part of the LGBTQ community, or an immigrant, we're expected to get everything right and be the embodiment of perfection when it is not expected of other people.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
One of the basic tenets of radical feminism is that any woman in the world has more in common with any other woman regardless of class, race, age, ethnic group, nationality - than any woman has with any man.
Because having your story told as a woman, as a person of color, as a lesbian, as a trans person, or as any member of any disenfranchised community, is sadly often still a radical idea. There is so much power in storytelling, and there is enormous power in inclusive storytelling, in inclusive representations.
I think that the best movies are made, not from a point of view that depends on your personal history, whether it's the color of your skin or the politics that you had or the place that you come from, but from a point of view of an understanding of human nature, an understanding of history, and an understanding of what motivates people.
My experience as a black woman in the industry is simply that often I was the only one in the room. Often I would be the only woman and the only person of color. Sometimes I would be one of several women but the only person of color. Sometimes I would be one of several people of color, but the only woman.
My view is that marriage is a relationship between a man and a woman. That's the position I've had for some time, and I don't intend to make any adjustments at this point... Or ever, by the way.
I've always been inspired by Dr. Martin Luther King, who articulated his Dream of an America where people are judged not by skin color but "by the content of their character." In the scientific world, people are judged by the content of their ideas. Advances are made with new insights, but the final arbitrator of any point of view are experiments that seek the unbiased truth, not information cherry picked to support a particular point of view.
It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.
Independent of harmony rules, any color 'goes' or 'works' with any other color, presupposing that their quantities are appropriate.
The color and the diversity dies out, and it gets whiter and whiter, and that's in any field. There is also this idea that there can only be one gay person or there can only be one Asian-American woman in the office, and so it also perpetuates itself where we are isolated, especially the more successful we get.
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