A Quote by Aza Raskin
You can never let your data dictate design. If you do, you end up following what people currently do and never innovating.
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If you grew up, and you never had a computer, and you've never used the Internet, and someone asked you if you wanted to buy a data plan, your response would be 'What's a data plan, and why would I want to use this?'
The USA Freedom Act does not propose that we abandon any and all efforts to analyze telephone data, what we're talking about here is a program that currently contemplates the collection of all data just as a routine matter and the aggregation of all that data in one database. That causes concerns for a lot of people... There's a lot of potential for abuse.
This is very much my philosophy as a fashion designer. I have never believed in design for design's sake. For me, the most important thing is that people actually wear my clothes. I do not design for the catwalk or for magazine shoots - I design for customers.
Endings are never neat, because when life goes on, there is no end. You may want to speculate about what the characters get up to afterwards, but I feel it would be presumptuous of me to dictate that.
There are lots of lessons to learn from Amazon. Never stop innovating or questioning the fundamentals of your business. Disrupt yourself before others do. Continually motivate employees so that they never get too complacent - see Yahoo, AOL and many other Internet companies for evidence of what happens when they do.
I don't believe in data-driven anything, it's the most stupid phrase. Data should always serve people, people should never serve data.
I used to get tons of letters that said, "I'll never get to wear you," or "I'll never get married in one of your dresses," or "I'll never have an evening gown like the one I saw on the red carpet." I thought that was sad, because you give your life to this and you end up reaching very few people. So that was a major goal for me - to be able to reach and encourage more women, to encourage them to express themselves and be what they want to be.
I try to live my life where I end up at a point where I have no regrets. So I try to choose the road that I have the most passion on because then you can never really blame yourself for making the wrong choices. You can always say you're following your passion.
Never aim to be proactive with your day. That way, if you end up getting stuff done, you’re never disappointed.
Big data will never give you big ideas... Big data doesn't facilitate big leaps of the imagination. It will never conjure up a PC revolution or any kind of paradigm shift. And while it might tell you what to aim for, it can't tell you how to get there
For you [God] are infinite and never change. In you "today" never comes to an end: and yet our "today" does come to an end in you, because time, as well as everything else, exists in you. If it did not, it would have no means of passing. And since your years never come to an end, for you they are simply "today."
I was specifically referring to the regular everyday people that you come across on your come up. You never know if that intern that you disrespected might end up being the CEO of the company one day, you honestly never know who's who. It's easy to treat the stars and the executives with respect but how do you treat the security guards or the waiter that serves your food? You may have to cross that bridge later.
People have given me classified information, but always with the disclaimer 'This can never end up in a book.' And it never does.
One of the greatest struggles of bureaucracies is they get built and created, but they design themselves in such a way that they can never be at fault. They can never be wrong, they can never have made a mistake and they never want to relent.
When you never leave the literary biosphere, you forget how few people actually read books, and that in turn makes you start overestimating both your ability to make money and your relative renown, which has dangerous consequences: the first means you may end up in debt; the second means you may end up a horrid bore.
In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.
