A Quote by Baran bo Odar

You have to edit it, mix it, color grade it, there are processes and the audience doesn't care when they binge-watch a show. They think in four weeks you should get the next season.
The entire season, the show had never been aired for more than three weeks. You can't get an audience that way. They would never promo the show for the next week.
Rio in four years; I've got more inspiration in the last two, three weeks. I'm sure I'm going to get more in the Paralympics in the next coming weeks, so by the end of this season, I'm going to take a month off, and then the next four years is going to be good.
Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
Wrestling is about connecting with the audience. Giving them a reason to care. Same reason I binge watch series on Netflix, because the stories and characters get me invested.
Ratings experts say the best way to get people to watch during sweeps is to leave the audience with a question that won't be answered until the next time the show is on. You know, like Who shot J.R.? I like to think I do this every night - the question is, Is this show still on?
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
I know plenty people, and I've done it myself, where you lock yourself inside for four days and you a watch a whole series. It's like watching a never-ending movie. It's great not to have to wait for the next season or the next week.
The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.
Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
I have four daughters, with the two youngest being four years old and a year and a half. When one of my older daughters was in sixth grade, a classmate brought in their talking Winnie the Pooh doll for show and tell, so the next week my daughter one upped her classmates and brought me to school in for show and tell.
I will admit that I often spend weekends after each 'House of Cards' season is released binge-watching the show for hours. But I watch it because it is entertaining, not because it reminds me of my day-to-day.
I really loved the 'Sopranos' but didn't have HBO. So someone would send me tapes of the show with three or four episodes. I would watch one episode and go: 'Oh my God, I've got to watch one more.' I'd watch the whole tape and champ at the bit for the next one.
I watch very little television, actually. There's so many shows I want to watch and then I know I'll get hooked and I have to binge-watch the entire thing.
I think the scripts for 'Line of Duty' and 'Blood' are both asking the audience to get involved in speculating as to what is going to happen next, or what should be happening next.
TV [series] is a six-year decision. It's not four or five weeks. If a filmmaker and I don't get along, it's four weeks of your life, so whatever.
One thing that annoys me in football is when people get carried away by results after four or five weeks of a new season.
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