A Quote by Barbara Harbach
I thought I wanted to be a performing and recording artist, and played many recitals and performances beginning in the 1970s. In the 1980s I went to the British Library and ordered and received reels of historical women and men keyboard composers, and thus was born Vivace Press.
Related Quotes
The first part of my career was indeed as a performer and recording artist, and I am still keenly involved with both. While rummaging around in the British Library, I found many delightful and interesting compositions by 18th-century men and women composers.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
From the 1920s through to the 1970s, bridal was related to the fashion of the times. Then in the 1980s, it became more historical, decadent, and ornate.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
I knew what I wanted to do, which was to become a recording artist, so I definitely felt like I had a calling. The performing part was the part that I wasn't sure about.
People will say to me, ‘You’ve played so many strong women,’ and I’ll say, ‘Have you ever said to a man, “You’ve played so many strong men?”’ No! Because the expectation is [men] are varied. Why can’t we have that expectation about women?
Women watched for the spectacular performances of the men, and there can be no reasonable doubt that the presence of an audience is a very important factor in shaping the men's behavior. In fact, it is probable that the men are more exhibitionistic because the women admire their performances. Conversely, there can be no doubt that the spectacular behavior is a stimulus which summons the audience together, promoting in the women the appropriate behavior.
But since the end of the 1970s, at the beginning of the revolution in Iran under Khomenei, we have experienced a politicization of Islam. From the beginning, it had a primary adversary: the emancipation of women. With more men now coming to us from this cultural sphere, and some additionally brutalized by civil wars, this is a problem. We cannot simply ignore it.
John declared that "Christ received not of the fulness at the first," but that he "continued from grace to grace until he received a fulnesss and thus he was called the Son of God, because he received not of the fulness at the first." Thus is it with us all. We must work out our salvation and exaltation by coming to this earth. Man must be born into mortality and live and die that he may continue in his progress toward eternal life and exaltation.
I love songwriting ! It's my Number One passion other than performing. Well, actually it's like wearing three different hats: songwriting, recording and performing. They're all completely different and draw on different types of skills. With recording, there are so many different phases of production, and you have to be very careful because you can polish it until it doesn't shine.
I had many dolls. And you know how I played with them? By performing insurrections, assemblies, scenes of arrest. My dolls were almost never babies to be nursed but men and women who attacked barracks and ended up in prison.
Gifted women musicians and composers rarely received their due.
When the British came to Ibo land, for instance, at the beginning of the 20th century, and defeated the men in pitched battles in different places, and set up their administrations, the men surrendered. And it was the women who led the first revolt.
Men have been in the forefront of music for centuries, and they have written glorious music, loved and appreciated by many. In some ways, men are still in the forefront. There is a lot of room for composers of all types of music by both men and women, nowadays.
Thus ordered thinking arises out of the ordered course of nature in which man finds himself, and this thinking is from the beginning nothing more than the subjective reproduction of the regularity according to the law of natural phenomena. On the other hand, this reproduction is only possible by means of the will that controls the concatenation of ideas.
This play John Drinkwater's Abraham Lincoln holds the season's record, thus far, with a run of four evening performances and one matinee. By an odd coincidence, it ran just five performances too many.
