A Quote by Barbara W. Tuchman

I want the reader to turn the page and keep on turning until the end. — © Barbara W. Tuchman
I want the reader to turn the page and keep on turning until the end.
I want the reader to turn the page and keep on turning to the end.
Transitions are critically important. I want the reader to turn the page without thinking she's turning the page. It must flow seamlessly.
VOID is filled with intrigue, suspense, and smoldering desire. This story will keep you turning the page until the very end.
It is an author's primary duty to entertain. Sling out all the philosophical terms, but keep the reader turning the page.
My job as an author is to tell the story in the best way possible, to make it flow seamlessly and get the reader to keep turning the page.
With the audience I write for, I want to make sure that the reader is eagerly turning every page. I want each of my books to be an absorbing reading experience, an authentic piece of literature. The worst thing that can happen is for a book to have a chilling effect on the reader, to have a kid pick it up and look at a bunch of footnotes and think, No, I'm not going to read this, it's too intimidating.
Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page.
I try to end every chapter with an air of suspense. I try to leave the reader wanting to turn the page.
You need to give the reader a reason to turn the page. In a diary, you are just yourself. You aren't trying to entertain. You aren't trying to get anyone to turn the page. I have over one hundred and fifty six volumes of my diary and I guarantee you that if you read them, you'd stop and never come back.
I want readers turning pages until three o'clock in the morning. I want the themes of books to stick around for a reader. I'm always trying to find a way to balance characters and theme.
A book is something that young readers can experience on their own time. They decide when to turn the page. They'll put their arm right on the page so you can't turn it because they're not ready to go to the next page yet. They just want to look at it again, or they want to read the book over and over because they really enjoy setting the pace themselves.
Will the reader turn the page?
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
The only place where you can really surprise or shock the reader, or make someone laugh, is on the lower righthand corner - the very last panel - so as you turn the page, the payoff is in the upper lefthand panel. To pace every story so that there's a setup and a payoff at the page turn was a huge challenge; it's a part of the medium and you really have to learn what can be done in the medium.
No one reads to hear someone complain about the weather or how poorly their children are behaving. You have to give the readers a reason to turn the page. As a writer you have to invite someone to turn the page. And that is a skill you have to refine. That is why you have to read. You have to read to learn what it is that makes people turn the page.
Humor is necessary - it allows the reader to come up for air before dunking them under again. I need humor and I need it on the page to keep the reader going.
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