A Quote by Barbet Schroeder
When you kill somebody in the movies, it matters, whereas in literature it can be allegorical.
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Every great literature has always been allegorical - allegorical of some view of the whole universe. The 'Iliad' is only great because all life is a battle, the 'Odyssey' because all life is a journey, the Book of Job because all life is a riddle.
Life, carefully examined, is actually a form of allegorical literature with a very tight constructural grid laid over it.
I always believe you can't kill good movies, because somebody's in some room and will die unless it gets made.
We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love.
Philo of Alexandria introduced in the first century what has been described as the 'Hellenizing of the Old Testament,' or the allegorical method of exegesis. By this, as Erdmann observes, the Bible narrative was found to contain a deeper, and particularly an allegorical interpretation, in addition to its literal interpretation; this was not conscious disingenuousness but a natural mode of amalgamating the Greek philosophic with the Hebraic doctrines.
If you read literature, you put yourself in somebody else's shoes. You learn from great figures in literature.
I think that there's good movies and there's bad movies, and sometimes the bad movies spoil it for the rest of us, and we focus on them, but in the long run, all that matters are the good movies. Those are the ones that we will remember.
No refining of one's taste in matters of art or literature, no sharpening of one's powers of insight in matters of science or psychology, can ever take the place of one's sensitiveness to the life of the earth. This is the beginning and the end of a person's true education.
I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.
If you ever feel sorry for somebody on a golf course, you better go home. If you don't kill them, they'll kill you.
Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use -- high or low matters not. Literature cannot by this impulse betray the grandeur of its subject -- there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.
I suppose everybody does get attached to characters whether in movies or in stories, but I think that's part of the reason you get involved with literature is because there's somebody that grabs you about it and then you want to figure out why.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
American hunting is quite different from English hunting because we don't hunt to kill. Even if I wanted to kill a fox, I couldn't. They're too smart and they have too many ways to escape me, whereas they don't in England.
As much as the constitutional argument matters to me, what really matters to me is this sort of moral question of can we order somebody to risk their lives about a military mission if we're not willing to debate, vote, and say that the military mission matters?
In general, in America, every discourse in literature in 15 minutes degenerates into a conversation about ethics, morality and this and that. The Holocaust and the consequences of it. Well, I find it terribly boring, predictable and unimportant, because what matters about literature is esthetic achievement.
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