A Quote by Barbi Benton
My young face keeps me in the running for youthful roles. If my face is going to look 22 then so should my body.
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If you take a diamond that's raw and you put one face to it, it has that one face, and then you've gotta find another face. At the end, you're going to have this diamond that's everything you've done. I feel that's the way you should look at it because that puts you in a constant state of progress.
Look not at the face, young girl, look at the heart. The heart of a handsome young man is often deformed. There are hearts in which love does not keep. Young girl, the pine is not beautiful; it is not beautiful like the poplar, but it keeps its foliage in winter.
I'm happy that I'm finally getting some lines in my face. I always looked too young for the kind of roles I wanted. It was constraining. My face didn't fit my innards until I reached 40.
You’re just using me for my body.” “You don’t have a body,” I’d remind him. “Throw that in my face.” “Technically, you don’t have a face either.
I start by moisturizing my face neck and chest with my own anti-aging SPF And IR Defense Sunblock called Recapture 360... Allow to sink in... Then I like Neutrogena's range of spray on sunblocks for body... then I use a foundation with SPF 30 or higher on my face to add yet another layer of protection to my face.
You should never get set over the ball and then aim your putter face. If you do it in that order, you can easily lose sight of your intended line. Instead, aim the face down your line first, then settle your body into position.
I was approached for acting roles when I was young. I had said that I look into the mirror every day and don't think my face suits for the big screen. So I will not do the films.
Before I go to bed I clean my face with a cleansing milk and cotton pads and then wash my face thoroughly with a foamy face wash. I apply a calamine lotion on my face and a medicated moisturizer on my face and neck. I repeat the same procedure after I wake up in the morning.
Then Drew shuffles into the dining hall. I drop my toast, and my mouth drifts open. Calling him “bruised” would be an understatement. His face is swollen and purple. He has a split lip and a cut running through his eyebrow. He keeps his eyes down on the way to his table, not even lifting them to look at me. I glance across the room at Four. He wears the satisfied smile I wish I had on.
A photographer looks at everything, which is why he must look from beginning to end. Face the subject head-on, stay fixed, turn the entire body into an eye and face the world.
I'm now in my mid-thirties, so I look in the mirror and my face is changing, and I have a different relationship all of a sudden with myself. Your face changes, things change - that's just kind of what happens. It's hard, though, in this industry, because I think so much importance is put on how you look, and I'm not brave enough to be like, "You know what? I'm just going to let it happen. Whatever. I'm so cool with every line on my face."
Having a good brow can totally brighten your face and give you more of an expressive, youthful look!
I am young now and can look upon my body and soul with pride. But it will be mangled soon, and later it will begin to disintegrate, and then I shall die, and die conclusively. How can we face such a fact, and not live in fear?
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
I wondered, as I wondered so often when I was that age, who I was, and what exactly was looking at the face in the mirror. If the face I was looking at wasn't me, and I knew it wasn't, because I would still be me whatever happened to my face, then what was me? And what was watching?
Beauty is only skin deep. I think what's really important is finding a balance of mind, body and spirit. Someone said to me not too long ago, "Until you're twenty, you have the face you are born with, and after that you have the face you deserve", and I really loved that - the idea that you wear who you are on your face.
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