A Quote by Barry Humphries
Madonna is a creation, so perhaps we should give her and the factory that created her a little credit, but I think that she should quietly disappear now. Poor Madge seems unable to decide whether she wants to look like Marilyn Monroe or Marlene Dietrich.
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Just like Marilyn Monroe is a lot of girls' idol, that's how I feel about Dorothy Dandridge. And she any Marilyn were very close friends. She went through a lot, and people told her that she couldn't do certain things, but she didn't let that bother her. She said in her mind that she was going to do them and that nothing was impossible, and she did it. It was so sad... She died from drugs, and drinking as well.
Not that she didn't enjoy the holidays: but she always felt-and it was, perhaps, the measure of her peculiar happiness-a little relieved when they were over. Her normal life pleased her so well that she was half afraid to step out of its frame in case one day she should find herself unable to get back.
For hours she danced and sang and flirted and did this thing that's-she did Marilyn Monroe. And then there was the inevitable drop. And when the night was over and the white wine was over and the dancing was over, she sat in the corner like a child, with everything gone. I saw her sitting quietly without expression on her face, and I walked towards her but I wouldn't photograph her without her knowledge of it. And as I came with the camera, I saw that she was not saying no.
I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face.
There was no such person as Marilyn Monroe. Marilyn Monroe was an invention of hers. A genius invention that she created, like an author creates a character. She understood photography, and she also understood what makes a great photograph. She related to it as if she were giving a performance. She gave more to the still camera than any actress-any woman- I've ever photographed.
I grew up on Bette Davis movies, and Marlene Dietrich, Marilyn Monroe.
I always give Lindsay so much credit for her tennis game, for her attitude, for her person, and because of how she deals with all the things. I don't think people give her enough credit for how well she's doing.
I think fashion is intensely personal. It should be. It should give a woman a creative outlet, it should give her a little bit of an escape, and it should give her a little bit of individuality that she can add to her life. I don't mean redoing your entire closet. I mean that a great shoe or a great handbag or a great top or a great coat or jacket can change everything.
Little miss is taught by her mamma that she must never speak before she is spoken to. On this she sits bridling up her head, looking from one to the other, in hopes of being called to and addressed by the name of pretty miss.... But if this should not happen and no one should take any notice of her, she is ready to cry at the neglect. But should there be another miss in the room caressed and taken notice of whilst she is thus overlooked, it will be impossible for her to contain her tears, and blubbering is the word.
She [Marilyn Monroe] wasn't the most incredibly beautiful. She's rather ordinary. Cute, but no Rita Hayworth. I think she was ready for the camera, and it was a real destiny for her.
I think that no woman has to defend her body, and she should just live her truth. It should never be about the number size of her pants, and it should be about what you're doing in the world. What does her brain look like and not her hip size.
Madonna is a pro. I don't like her and have no respect for her but- I don't think she should be called a musician or a dancer or whatever you know, but I do have, well I do have respect for her ability to completely manipulate the media and have them work for her.
(on Marilyn Monroe) I was walking down Broadway with her and nobody was stopping us. She was going to (Stella Adler's) actors' studio, and she was taking me to show me what it was all about. And I said to her: "How come nobody is taking your picture?" She said: "Well, watch." She took her scarf off, straightened her shoulders, and draped something another way, and we were surrounded. It must have been 400 people. And I said: "Now I know why!"
I can't catch her by copying her, I can't draw her with a borrowed stencil. She is all the things a lover should be and quite a few a lover should not. Pin her down? She's not a butterfly. I'm not a wrestler. She's not a target. I'm not a gun. Tell you what she is? She's not Lot no. 27 and I'm not one to brag.
In many poor countries, if the daughter is told who she's going to marry, and told that she's going to live in the village with her husband's family, she really has very little opportunity to make her own decisions. If she comes for a while to work in a factory, she has her own money. In family agriculture, it's never your money. It's whatever somebody decides to give you. For many people this is tremendously valuable, because then they can step up.
Marlene Dietrich for the way there was something so unique about her - the way she entered into a frame and everybody looks at her and the way she winks and looks up.
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