A Quote by Barry Jenkins

As a writer, a blank page will humble the hell out of you. It always does, and it always will. — © Barry Jenkins
As a writer, a blank page will humble the hell out of you. It always does, and it always will.
I don't believe in writer's block. Most of writer's block is having too much time on your hands. My mantra is that you can always edit a bad page; you can't edit a blank page.
Tomorrow morning the critic will be gone, but the writer will still be there facing the blank page. Nothing matters but that he keep working.
As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.
At some point if you're a professional writer, no matter what, it always comes down to you staring at the blank page by yourself.
As much as I'm enjoying stuff out here in Hollywood, I will always think of myself as a comic-book writer who does film and television, not a film and TV writer who occasionally does comics.
I don't even subscribe to writer's block being a truthful thing. I've had writer's laziness quite often. But I think it's all about sitting down and facing down the blank page and doing it, and I've always been ok at that.
We will always have STEM with us. Some things will drop out of the public eye and will go away, but there will always be science, engineering, and technology. And there will always, always be mathematics.
Creativity is always a leap of faith. You're faced with a blank page, blank easel, or an empty stage.
You will always go into that tent. You will see her scar and wonder where she got it. You will always be amazed at how one woman can have so much black hair. You will always fall in love, and it will always be like having your throat cut, just that fast. You will always run away with her. You will always lose her. You will always be a fool. You will always be dead, in a city of ice, snow falling into your ear. You have already done all of this and will do it again.
Being a writer is a very peculiar sort of a job: it's always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.
Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
Every page was once a blank page, just as every word that appears on it now was not always there, but instead reflects the final result of countless large and small deliberations. All the elements of good writing depend on the writer's skill in choosing one word instead of another. And what grabs and keeps our interest has everything to do with those choices.
Do not imagine that if you meet a really humble man he will be what most people call "humble" nowadays: he will not be a sort of greasy, smarmy person, who is always telling you that, of course, he is a nobody. Probably all you will think about him is that he seemed a cheerful, intelligent chap who took a real interest in what you said to him.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
You might not write well every day, but you can always edit a bad page. You can't edit a blank page.
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