A Quote by Barry Levinson
I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that.
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I have worked in animation on 'King of the Hill.' I've worked in late-night with 'The Daily Show.' I've worked on single-camera stuff, whether it was a movie or television. I have performed onstage.
I worked hard when I was a consultant. I worked hard when I was in graduate school looking at neuroscience. I worked hard as a teacher. But those are completely different career paths. And the lack of direction is why I didn't get far enough in any of those things.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I worked for George Bush. I'm proud to have worked for him. I think that a lot of the most controversial things we did, that people didn't like and - and criticized us for, things like the terror surveillance program or the enhanced interrogation techniques, were things that allowed us to save lives.
There was a little afternoon show that was called Afternoon. Back in those days in television, most local stations had a midday show for housewives that had a series of things. It was like a variety show for midday.
There are things I'm doing with 'The After' that would've never flown on 'The X-Files' and on network television, so it's more permissive. That's not to say that you want to abuse that. I think that a show like 'The X-Files' actually worked better as a network show with the restraints put on it, the censorship that was applied.
It's really a good feeling to know that we put this up there, that it's working, that all these people's plans that worked so hard came together and things fit and we've got a real space station.
I've never worked for a show or was on a show where I didn't have a lot of control creatively, but then again, I haven't worked on a lot of shows.
There was a period where I did do a lot of television, but the luck of the draw worked in my favour, as they were all shows that were either fan-favourites or cultist things.
Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.
My mother worked on a whole bunch of those; she worked on What's My Line?, I've Got A Secret, Play Your Hunch... In my memory, she worked on To Tell The Truth. So it was her job to brief the imposters.
I worked on Capitol Hill, I worked in the White House and I've worked in politics enough to be familiar with the basic broadstrokes of public policy.
I worked at Dollywood when I was a kid. Then I worked at Opryland. I worked at a variety of theater things in Atlanta. I was also in a choir for two years where we did 'Annie' and 'Joseph and the Amazing Technicolor Dreamcoat.'
I like to look at things that have been developed and re-developed over the course of time so I know the bugs are worked out of it. And in the business itself, I like to look at sales, by far. I want to see that there is a vetted track record of sales to show the price point has worked.
When I worked on 'The Daily Show,' we had some puppets made of myself, John Oliver, and Jon Stewart. When I left the show, I stole the puppet. I took what was rightfully mine.
I used to work for Symantec AV: I worked as their in-house IT technician, and then I worked as specialized AV support, and then I worked for Hartford Life IT, in Dublin and London. I worked in IT from '99 through to 2007.
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