A Quote by Barry Levinson

I'm interested in the relationships of people. I'm interested in the darker moments within us. All those aspects of human behavior, I'm fascinated by. But in the times we're in, those are hard movies to make. So if I can do it at HBO, fine.
I wouldn't say I'm fixated on describing any kind of relationship whether it is a father and a son, or a family. I don't like it when people say that I'm particularly following the same line or that I'm only interested in family dramas. I'm interested in human relationships. The most intimate, the most delicate, and the most intriguing relationships are those within a family.
Flaws make us all human, and you're rooting for characters because of those flaws. It's ageless if you're interested in relationships and the way people can or can't relate to each other.
I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
One is that I'm really interested in movies about sex and lust, because I think those are primal, carnal instincts that translate well to a visual medium. Two, these things that I write, or want to make, are an expression of - I don't want to say darker instincts, but let's say darker instincts. But that's why I'm a writer.
People are fascinated by the darker sides of human nature, and I think they're also interested in seeing the ability that a particular detective or group of detectives might have to solve the crime and put the world right again.
When you are praising, when you are appreciating, when you are acknowledging value, when you are looking for positive aspects, when you are laughing, when you are applauding, when you are joyous, when you are feeling that feeling of appreciation pulsing through you, in those times, there IS NO RESISTANCE within you. You are, in those moments, vibrationally up to speed with who you really are.
People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
When J.J. [Abrams] called Lisa [Joy] and myself, he pitched us this idea of, what if we turn the structure around and started with the hosts. For us, that gave us a way to play with everything that we're interested in, all at once. It's the ultimate playground for us because we deal with questions about artificial intelligence, which is something I've long been fascinated by, but also human intelligence, or the lack thereof, human behavior, and interactive, immersive storytelling.
I've always been interested in queerness and underground and fringe and periphery, and who and what flourishes in those spaces. Those spaces that are darker and dingier and more dangerous, more lonely. What comes out of there, to me, is the life force. I'm excited when the center reaches over to those places and pulls inspiration from them, and translates it for a lot of people.
I feel lucky that Viceland wanted to make it, and I'm producing more than one film with LGBT characters and stories and it's because it's what I'm interested in. I'm not going to read a script and say, 'They're not gay, I'm not going to do it,' but I am interested in playing more gay people, because I've only played one gay person, and I've done a fair amount of movies, and I am interested in those stories. So for me, there's no should-I-or-shouldn't-I. It all feels natural.
I've always had a fascination with vampires. It's not that I'm exactly fascinated with the dark side. It's the human struggle with it. How we deal with those two aspects of who we are. We all have those elements.
The things that I have said when I was young and curious about whatever the subject matter was, I respect those - those are growing pains. Even if you make mistakes, I go back to those things, my not-so-great moments because those are my truest moments; those are my human moments. I'm not even mad at the things I said that were a little dicey.
I'm not at all interested in simply reporting what's here right now, or cranking out an entertainment device that's going to touch the widest number of people. I'm interested in digging and excavating as deep as I can go into those small eternal moments and how they expand out, or close in, on the lives of my characters.
The left are not interested in what Chris Christie thinks. They're not interested in what McCain thinks. They're not interested in what Jeb Bush thinks. They're interested in eliminating everything those guys think. They don't care to get along.
People aren't interested in paying $10 or $12 to go to the movies and to be lectured to politically. I'm not either. So I don't try to make those kinds of films.
The House of Lords has many fine aspects, but at its heart, it is a betrayal of the core democratic principle that those in the enlightened world hold so dear - that those who make the laws of the land should be elected by those who must obey those laws.
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