A Quote by Barry Levinson

I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety. — © Barry Levinson
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made.
Silence in the turmoil of the theater world made me survive 50 years without speaking on a stage, only to say 'No' in Mel Brooks' film, 'Silent Movie.'
Id like to acknowledge three people who early on knew Mel Brooks was one of the funniest people in the world: Sid Caesar, me, and Mel Brooks.
Gene Wilder made his movie debut in "Bonnie And Clyde," starred in the Mel Brooks films "The Producers," "Young Frankenstein" and "Blazing Saddles," played opposite Richard Pryor in "Silver Streak" and "Stir Crazy" and portrayed the candy-maker in "Willy Wonka And The Chocolate Factory."
The hardest I've ever laughed in a cinema was at 'Silent Movie' by Mel Brooks. I was 12-ish and I actually fell out of my seat. I saw it 10 years later hoping for the same hilarity but it didn't happen. I'm not sure if that's because of me or the film.
I grew up on Mel Brooks films. That was film to me until I got a little bit older and realised there were other kinds of movies.
And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.
The first movie that I ever said was my favorite movie - and I've said for the longest - is 'The Producers,' Mel Brooks' original 'Producers.' The two lead performances from Zero Mostel and Gene Wilder are both unstoppable performances and then supported by amazing supporting characters throughout.
Mel Brooks is an interesting one because he started out making films about stuff that he was totally affectionate about, like musicals, westerns, horror films, Hitchcock films. And then, as they get further on, and you get to 'Spaceballs,' then it's just kind of contrived.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
My dad had a commercial film company, so he had a videotape player before anyone. So he got Mel Brooks movies or Citizen Kane or some classic old movies. And every summer the revival house in Evanston would show the great films from the '50s and '60s and '70s.
I first got involved with Mel Brooks through 'The Elephant Man.' Everybody knows now, but they didn't know at the time that he was the producer.
I am a huge Mel Brooks fan. And I do think that not seeing his canon of classics is a bit criminal or clueless.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
My movies were not reaping the kind of emotional rewards that I wanted. I wanted them to be appreciated and they weren't. I didn't want the reviews to say, "Mel Brooks has made another movie," and you get the title somewhere in the second paragraph.
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