A Quote by Barry Levinson
There is always a hesitancy with actors, and inhibitions can get into the work, so you have to figure out how to make it feel so loose that you can do anything, and if it is not right, that is okay because we'll do it again.
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I feel like my life right now is so crazy; there's no time to dwell on difficult things. You just have to figure out how to fix it or get past it because there is no time to do anything else. Being a mom to a toddler, my career, and my husband's career - all of our worlds just kind of colliding at once, you just make it work.
A lot of young actors have the idea that, "I've got to do this right. There's a right way to do this." But there's no right or wrong. There's only good and bad. And "bad" usually happens when you're trying too hard to do it right. There's a very broad spectrum of things that can inhibit you. The most important thing for actors - and not just actors, but everybody - is to feel loose enough to create what you want to create, and be free to try anything. To have choices.
I think a lot of women feel so obligated right now to do so many different things that they don't really stop and think what do they want and it's okay not be anything. It's okay not to have a big career. It's okay not to have children. It's much better to figure out what you really want. What really makes you happy instead of what everybody else wanted for you.
It's very funny because every time I make a movie, and I've heard this re-echoed by other filmmakers and actors I have worked with, you kind of feel like you're naked again. You have to figure it all out from scratch, as if you had never done it before.
We only have this one planet; we got to figure out how to live on it without destroying it. So much of cultures not getting along is because of religion. If each religion's deity is the right one to them, then whose is right and whose is wrong? No one has the proof, so we need to figure out how to work through it
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
I feel the car, but I think with me and my background of dirt racing and stuff and not having pit stops, you just kind of 'All right, this is how my car is handling, I've got to figure out how to drive it' and then you get a feel of how you want it to feel.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
I've always wanted to figure out how to do a walking story. I'd never figured out how to do one and have it work or be interesting or have anything that it's about.
Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.
The key thing is, always put the right content on the right network, on the right platform, make it great, and then figure out how to monetize it.
You can always figure out how to deliver things in somewhat controlled situations, but when you start to get into the reality of the market you start to figure out what isn't going to work.
I build my life so that I don't wake up for anything. Ever. If you make me get up early to do something with you, I will hate you and resent you and figure out a way of never having to work with you ever again.
I feel that other people's suggestions are very dangerous. Yet, I can't say that they are always destructive or not useful. Perhaps, rather than having other people tell you how you should improve your work, they should just tell you how they understand your work, what they got out of it, so that you can figure out yourself if what you did was right or wrong.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
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