A Quote by Barry Levinson
I don't know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don't think it happens. So you have to prepare an audience.
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In terms of e-books, though, I haven't quite gotten to the bottom of it yet, but for some reason everybody I know seems to want to engage me on that topic, or convert me. I think there are a lot of people who just want to hear me embrace e-books or finally say, 'OK, I bought an iPad and it's awesome!" There are a lot of people who would get a kick out of it, that's for sure.
We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.
If there's anyone out there that looks a bit like me, or just feels a little bit out of place just trying to get into performing, you are beautiful; embrace it. You are intelligent; embrace it. You are powerful; embrace it.
But as far as, for I think it will be amazing you know where I find myself years from now because of this film. It's just amazing, I think everybody's going to kind of know this film and because of it, me. So I you know it's crazy.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
It's very important that a film that intends to play tricks on the audience... has to play fair with the audience. For me, any time you're going to have a reveal in the film, it's essential that it have been shown to the audience as much as possible. What that means is that some people are going to figure it out very early on. Other people not til the end. Everybody watches the film differently.
I don't think it's the highest priority. I don't think we should ignore it, either, just generally I think as conservatives we should embrace innovation, embrace technology, embrace science. ... Sometimes I sense that we pull back from the embrace of these things. We shouldn't.
In terms of style, the best advocates are relaxed, clear, in control, and confident. They embrace the hard questions with gusto. But no matter how hard you prepare, it's impossible to prepare for every conceivable question.
I love Twitter, you know? I try to read everything I can on Twitter. You get so much nice feedback about stuff, you know you just put out a sentence and everybody laughs or everybody's just sending something back. It's amazing. Same with Facebook, you know? I'm a lot on Facebook and it's just - it's just amazing. And YouTube, of course, as well.
Sometimes you just have to say, “...I don't know what we are doing, let's just go and see what happens.” You have to embrace the experience itself, so that things you didn't intend to happen can make your work more authentic. And you have to hope that it works.
The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?
All of Europe is tremendously integrated now; perhaps from all those years of colonization. Everybody that they've colonized has come to the mainland, so you'll have a racially diverse audience as well. You'll have many Middle Easterners, Asians, Africans, from seven to ninety sitting in the audience, and the really incredible thing is that they all know the music. I don't mean they just know a song here and there. They know the music. They are a very educated audience.
I think it makes such a huge difference when the director has acting experience as well because it just means that he not only has a view of the film as a whole and the intentions of the scene in terms of the audience, he also has an actor's instinct of how to communicate something to us.
'The Goonies' is classic. That's, like, the movie I bring with me if I go out of town for a long time, because it just makes me think of the best times I've seen it with my friends growing up. Dude, everybody knows that movie, everybody watches that film. Best family film ever made.
The Goonies' is classic. That's, like, the movie I bring with me if I go out of town for a long time, because it just makes me think of the best times I've seen it with my friends growing up. Dude, everybody knows that movie, everybody watches that film. Best family film ever made.
When you sit and watch the film with an audience, the focus groups and the cards and all of that is the less what you're worrying about. When you watch a film with an audience you see what is working and what's not working.
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