A Quote by Bartlett Sher
When you make new musicals, you have the great freedom and the great burden that it can be changed.
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There's a lot of great, talented, passionate musical theatre practitioners and directors here. But it's very hard to suddenly start building great musicals in a town like Sydney where there hasn't been any great musicals built.
When my daughter was younger we showed her all the great musicals. And the great dramas and great comedies, and the one that she took to the most was Some Like It Hot.
My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.'
Not only do you need great lyrics, a great message, a great story, great vocals, great chords... you also need great instrumentation, great editing, great sonics, great mixing, and great mastering. It all comes together to make something truly great, and I think each element combines together to create a powerful impact on the consumer.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
Only when you lift a burden, God will lift your burden. Divine paradox this! The man who staggers and falls because his burden is too great can lighten that burden by taking on the weight of another's burden. You get by giving, but your part of giving must be given first.
There's no way to avoid a burden on your freedom. The costs themselves are a burden on your freedom. The restrictions that are necessary in order to get rid of the terrorists are a burden to your freedom. So there's no way in the short run to avoid a restriction on your freedom.
Slightly forgettable movies can sometimes make great musicals.
I wasn't that great in sports. I started doing children's theater and loved it. I thought I had a great thing going with musicals. I thought, 'I can do this. It's fun.' I wanted to go for it, and I thought I'd like to make a living doing this.
America's the great conundrum and the great dream and the great fascination: the new land, the new world, the new temple, the new city, and the great mess. The most handguns, bombs, weaponry, violence, the cop of the world etcetera. All the contradictions. Mediocrity versus something like indigenous jazz, one of the most evolved sophisticated musical forms on the planet.
When you wake up every day, it's like a new birthday: it's a new chance to be great again and make great decisions.
All the more a cheesy musical seems fake, so it requires a level of honesty to be injected or an acknowledgement of that which is fake and fun about musicals, and it isn't necessarily escapist. Like there are great musicals like Once, which feel very almost like a mumblecore musical. I love Once. It's great.
I've been fortunate in my career to have performed in revivals of great musicals and to have originated roles in musicals that have in turn been revived. And I'm not dead!
Probably those three things affect the most people: reproductive freedom, freedom from violence, and democratic families. But there may well be someone sitting at this table who has a great idea to do something else that wouldn't come under those umbrellas and that would really be great, and make all kinds of change.
I lived in great poverty as a child and young woman, and I used to think of money and how to make money as a means to get away from the constant struggle to survive - as freedom. Now I know it isn't freedom. It's not a solution, but a new problem. It comes with its own challenges and tremendous obligations.
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