A Quote by Barun Sobti

I think everyone is making a lot of money, whether it is the actors, the producers, or the TV channels. — © Barun Sobti
I think everyone is making a lot of money, whether it is the actors, the producers, or the TV channels.
The thing that concerns me the most is when I hear that people are making a lot of money a lot of ways except for the athletes, whether it's on the bowl games, the TV contracts, the conferences, the schools, the coaches, however you want to say it.
When you're trying out on Broadway, it's very hectic, and you're making changes night after night. There's a lot of pressures from producers to make some changes, and you're writing for actors who are in it - and sometimes the limitations of actors who are in it.
The government should take a decision on whether to allow Pakistani actors in India or not, but I think directors and producers will themselves not cast Pakistani actors seeing the kind of opposition the country is witnessing against them.
With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.
Everyone talks about reality TV and that there are no roles left. That's false. Years ago, there were three networks. Now there are 20 cable networks and so many ways for films to be exhibited. It's an exciting time for actors, writers, directors, and producers.
I wanted to just surround myself with people who I think are better than I am, whether they're actors or directors or producers, so that I could learn from them.
The crossover wasn't happening. TV actors were TV actors, and film and stage actors were a whole different thing. And now there's just a lot of crossover.
I think I've been asked a lot more than most TV producers to go on-camera. But I just do what I do and don't think about the package.
I don't think you should sit around and wait for people to give you an opportunity to express yourself or do your work, or whatever. Actors have to be producers and writers have to be producers.
Television has filled the space for actors that really want to make good work and not just make a lot of money and be famous for making a lot of money and being famous.
There's so much great TV and I always thought it would be such a fun little sideway to make money and then not have to worry about my films making a lot of money.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
TV is and will remain the leading medium - whether it's public broadcasting, commercially funded Free-TV, or whether it is our new growth engine, Pay-TV; whether it is distributed via broadcasting or on demand: The future of TV is - TV!
A lot of the people that stop you - well, they're not nuts, exactly. They're more like super-fans. They think that I'm some sort of rich guy, that everyone in the movies is making the kind of money Angelina Jolie is making. They don't realize that most of my life has been a struggle.
I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
This site uses cookies to ensure you get the best experience. More info...
Got it!