A Quote by Baz Luhrmann

I never see things I make in the same way that the audience does. You can never do that. — © Baz Luhrmann
I never see things I make in the same way that the audience does. You can never do that.
Quoting Dudjom Rinpoche on the buddha-nature: No words can describe it No example can point to it Samsara does not make it worse Nirvana does not make it better It has never been born It has never ceased It has never been liberated It has never been deluded It has never existed It has never been nonexistent It has no limits at all It does not fall into any kind of category
They used to have a saying among the musicians on staff when I was with him, 'Sinatra never does anything the same way once.' He was a perfectionist, he was a taskmaster and he knew exactly what it was he wanted because he understood how to deliver his message to the audience; never was there a greater example of that than that man.
I like that there are so many different ways of looking at the world and I like all of the particular narratives. In any case we will never all see the same way on these [religious] issues. It's the way liberals and conservatives will never see the same way on individuals whereas it’s different orientations and they go too deep down and when we're dealing with questions that can't be definitively answered by science that's where you're sort of... your orientation swells in to fill up the gaps and so we're never always going to agree.
I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for one, because you have to give the listener something and he has to make an effort in order to understand certain things.
I've never got a part in the same way twice. I've never prepared the same way. I've never experienced the filming the process the same way.
The artist does not draw what he sees, but what he must make others see. Only when he no longer knows what he is doing does the painter do good things. A picture is first of all a product of the imagination of the artist; it must never be a copy. If then two or three natural accents can be added, obviously no harm is done. The air we see in the paintings of the old masters is never the air we breathe.
A magic show and a concert are very similar in the way I like keeping things a mystery and not doing them the same way every time. The listener and the audience never know what's going to happen next.
One of the most amazing things that can happen is finding someone who sees everything you are and won't let you be anything less. They see the potential of you. They see endless possibilities. And through their eyes, you start to see yourself the same way. As someone who matters. As someone who can make a difference in this world. If you're lucky enough to find this person, never let them go.
Revenge is never what you think it's going to be. There's no pleasure and glory, and when it's done your grief remains. Once a man does the things you're talking about, he will never be the same, and he can never go back to who he was before. Worst of all, no matter how many enemies you kill, you are never satisfied. There is always one more who deserves it. When it becomes too easy to kill, it never ends.
A secret love is beautiful, sweet and sacred when it's just a light infatuation; but when that person reaches over and touches you in the heart, making it alive in a way it has never known, that secret love becomes frightening, because you can never make them love you, you would never want to make them love you...but all the same, no matter which way you view it, they don't love you...and your heart doesn't know how to beat the same.
Is love the desire—no, the need—to be with that person, whatever the cost? Does it cause the rue of rage when you see that person with another? Does it make you ache to hold her, to whisper things that sound foreign and strange to your tongue? Does it make you wish for things you know can never be? I haven't the answers, Riley. In all that I've learned over the years, no one has ever mentioned a force such as this. But whatever it is, I feel it for you. We would have been good together.
God's presence. . . is an inner experience that never changes. It's a relationship that's there all the time, even when we're not paying attention to it. Perhaps the Infinite holds us to Itself in the same way the earth does. Like gravity, if it ever stopped we would know it instantly. But it never does.
The problem with listening, of course, is that we don't. There's too much noise going on in our heads, so we never hear anything. The inner conversation simply never stops. It can be our voice or whatever voices we want to supply, but it's a constant racket. In the same way we don't see, and in the same way we don't feel, we don't touch, we don't taste.
Well, I dare not allow myself any illusions, and I am afraid it may never happen that Father and Mother will really appreciate my art. It is not their fault; we do not see the same things with the same eyes, or have the same thoughts raised in us by them. They will never be able to understand what painting is.
I can see it, hear it, feel it, taste it - but I can never be on the inside of it with you. I cannot even be sure whether I really know what it is like. Is it 'like' my own? Or incomparable? Just as I can never know if what you see at any given moment is exactly the same as what I see. We look at a colour. We both call it red. But it is only because we have been taught to call it by that name. There is no guarantee - not ever - that we see it in the same way, that your red is my red.
I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.
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